Word: shee
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Dates: during 2000-2009
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...11—one of the show’s directors and a performer—has a “cabriole” injected into her step sequence to smooth out a transition, while standardizing arm movements are added to an ensemble segment. Kuperman stops Kevin Shee ’11 to give him a pointer on the artistic delivery of his solo entrance: “This needs to be so grounded—like a mummy coming to life. Everything starts in the core of the body.” Shee follows Kuperman’s example...
...beep, shee-wah-bop-pow. What an a capella smackdown! Wow, it’s like the voices WERE the instruments. I want to join an a capella group, but who would want me, anyhow? I couldn’t even get into the Fallen Angels. Man, those girls have it all. Sure, I turn to drugs and alcohol sometimes to get by, but who doesn’t? Life’s tough. Do you know how many AP 5s I got? Nine...
...some professionally trained dancers and other undergraduates. The piece, choreographed by Claudia F. Schreier ’08, focused on various leg movements and lifts by performers Puanani H. Brown ’12, James C. Fuller ’10, Amanda C. Lynch ’10, Kevin Shee ’11, and Elizabeth C. Walker ’11. The interplay between the bodies of the two male dancers and three female dancers throughout the performance created an overall elegance and grace comparable to that of any professional company.When Diaghilev was asked about the ensuing riot some...
...Swiss stage with the Zurich Ballet Company, the physics concentrator began dancing at the age of 13 in Southern California. She practiced ballet throughout high school and performed with the Harvard Ballet Company on campus. Moore’s partner in many HBC dances has been Kevin Shee ’10. “[Merrit’s] pretty much one of the most fun people I’ve ever known—quirky, and everything awesome,” says Shee. So when vacation rolled around last year, Moore didn’t follow...
...It’s a very humbling experience.” Under Whitaker’s leadership, the Signet Society and its stately house on Dunster Street have provided a home for students who undertake every kind of creative endeavor, from poetry to filmmaking, becoming what shee calls an artistic “safe haven.”Whitaker’s efforts to encourage the artistic collaboration and social exchange that have characterized the Signet in the past make it a unique forum for the arts at Harvard, one that stands above any given discipline. Perhaps the most important...