Word: shee
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Dates: during 2000-2009
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...story of two couples (appropriately costumed in attire that evoke a high school homecoming) and the sudden shifts between pursuit and repulsion that characterize their relationships. The dancers capture the choreography’s attitude and energy beautifully. In particular, Katie W. Johnson ’07 and Kevin Shee ’10 are a delight to watch, both for their individual prowess and for the unique chemistry of their interactions with each other.The premiere of “Tartiniana,” choreographed by Claudia F. Schreier ’08, is the only dull moment...
...Harvard theater who just finished a star performance in the Ex’s “Dinner”—does an admirable rendition of Astaire’s voice with his mellow opening number. Lead dancers Alissa C. Clarke ’07 and Kevin Shee ’10 fill the shoes of Fred Astaire and Ginger Rogers with confidence and poise...
...classic moves of Astaire, “American Grace” progresses to more modern forms of dance that incorporate his legacy of precision and style. One highlight is “Sinatra Suite”—an extended duet between two first-years with great potential, Shee and Merritt A. Moore ’10—choreographed by Twyla Tharp and set to music by Frank Sinatra...
...Shee lacks the energetic style he displays so well in “Never Gonna Dance” at the beginning and end of Tharp’s piece. Yet at the climax of “Sinatra Suite,” that energy resurfaces with a significant payoff. The piece becomes much more physical, and the two dancers practically force each other around the stage; eventually, though, physicality becomes sensuality, and Shee and Moore come to a beautifully poised equilibrium...
...While also physically draining and demanding of his time, involvement in “Polka” offers a different kind of challenge for Shee. Its decidedly abstract and modern style offers Shee something he’s had little contact with before...