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...11—one of the show’s directors and a performer—has a “cabriole” injected into her step sequence to smooth out a transition, while standardizing arm movements are added to an ensemble segment. Kuperman stops Kevin Shee ’11 to give him a pointer on the artistic delivery of his solo entrance: “This needs to be so grounded—like a mummy coming to life. Everything starts in the core of the body.” Shee follows Kuperman’s example...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...long as these, excelling in both school and dance becomes a challenge. “[It is] incredibly difficult to keep my body in good shape for dance when [I] am forced to replace ballet technique class with last-second problem sets or papers,” says Kevin Shee ’11, who has danced professionally but plans to pursue a medical career...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...beep, shee-wah-bop-pow. What an a capella smackdown! Wow, it’s like the voices WERE the instruments. I want to join an a capella group, but who would want me, anyhow? I couldn’t even get into the Fallen Angels. Man, those girls have it all. Sure, I turn to drugs and alcohol sometimes to get by, but who doesn’t? Life’s tough. Do you know how many AP 5s I got? Nine...

Author: By Daniel K Bilotti and Vincent M Chiappini, CONTRIBUTING WRITERSS | Title: Rest In Peace, Kirby Puckett | 4/21/2009 | See Source »

...some professionally trained dancers and other undergraduates. The piece, choreographed by Claudia F. Schreier ’08, focused on various leg movements and lifts by performers Puanani H. Brown ’12, James C. Fuller ’10, Amanda C. Lynch ’10, Kevin Shee ’11, and Elizabeth C. Walker ’11. The interplay between the bodies of the two male dancers and three female dancers throughout the performance created an overall elegance and grace comparable to that of any professional company.When Diaghilev was asked about the ensuing riot some...

Author: By Matt E. Sachs, CONTRIBUTING WRITER | Title: ‘Rite’ Isn’t Quite Right Without Innovation | 4/21/2009 | See Source »

...Swiss stage with the Zurich Ballet Company, the physics concentrator began dancing at the age of 13 in Southern California. She practiced ballet throughout high school and performed with the Harvard Ballet Company on campus. Moore’s partner in many HBC dances has been Kevin Shee ’10. “[Merrit’s] pretty much one of the most fun people I’ve ever known—quirky, and everything awesome,” says Shee. So when vacation rolled around last year, Moore didn’t follow...

Author: By Li S. Zhou, CONTRIBUTING WRITER | Title: Center Stage in Switzerland | 12/3/2008 | See Source »

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