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SANFELICE-Vincent Sheean-Doubleday, Doran...

Author: /time Magazine | Title: Books: Sheean & Sin | 6/22/1936 | See Source »

...mechanics and editing aside, the strength and weakness of any newsreel is the man behind the camera. A purely objective view may not be misleading but it often leads nowhere. The widespread popularity of such subjective photography as Walter Duranty's I Write As I Please, Vincent Sheean's Personal History, John Gunther's Inside Europe, Negley Parson's The Way of a Transgressor are strong indications that many an individual still regards the cameraman as more important than the camera. Last week such individuals watched with interest the latest subjective newsreel, Edmund Wilson...

Author: /time Magazine | Title: Books: Subjective Camera | 6/1/1936 | See Source »

...careers of most crack U. S. foreign correspondents can be divided into two phases. In the first they report. In the second they reflect. That Dorothy Thompson, like James Vincent Sheean and Walter Duranty, was finished with Phase No. 1 was clear last week when she inaugurated a thoughtful column in the New York Herald Tribune called "On The Record...

Author: /time Magazine | Title: Press: Reflective Reporter | 3/30/1936 | See Source »

PERSONAL HISTORY-Vincent Sheean- Doubleday, Doran...

Author: /time Magazine | Title: Fiction: Best Books | 12/16/1935 | See Source »

Throughout, Mr. Sheean is in search of some means of solving the ago-old problem of the relation of the one to the many, of the individual to society. He tries in vain to find a hitching post to which he can hook his personality beyond all danger of becoming loosened. The reader, reflecting on the author's self-contempt at being unable to espouse and realizes what Mr. Sheean could not that, as shown in "Personal History." Communism is in the last analysis but another extreme, another Utopia. One leaves Mr. Sheean convinced of the significance in the fact...

Author: By H. V. P., | Title: The Crimson Bookshelf | 3/23/1935 | See Source »

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