Word: sheeler
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Dates: during 1950-1959
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Edward Hopper's Sunlight in a Cafeteria (see color) was strictly old-school-tie abstraction-the tie being to reality. It proved once again that Hopper, 76, keeps as firm a grip on imaginary space as any abstract artist alive, still wrings poetry from its arrangement. Charles Sheeler, Georgia O'Keeffe and Loren Maclver also scored for the older generation, and Stuart Davis' brassily old-fashioned abstraction, Pochade, was like a joyful bopping of the drums for Dixieland jazz, a great U.S. export of another era. Overall, the Whitney show testified that there is more substance...
...loan from Manhattan's Whitney Museum, 22 realistic paintings (among them: works by Edward Hopper, John Sloan, Maurice Sterne, Reginald Marsh Charles Sheeler) are on view in the ancient French Riviera château fortress of La Napoule. Sponsored by the La Napoul( Art Foundation-Henry Clews Memorial the show, titled "American Realism in the Twentieth Century," is aimed at bringing Europe "another page of American art history." Said one U.S. cultural attaché in France: "At last we have something to show Europeans besides abstract blotches and curlicues...
...three-man jury-Lloyd Goodrich of the Whitney Museum, Henri Dorra of the Corcoran, Alfred Frankfurter of Art News-made a refreshingly sober choice for prizes. Top honor and $2,000 went to Edward Hopper for a calm, direct and powerful water color done at Pacific Palisades, Calif. Charles Sheeler took second prize and $1,000 with an architectural construction called Two Against the White, also inspired by a trip to California. The international flavor of the competition was served when England's John Piper took third prize and $750 for an impressionistic backyard-scape called Nailsworth, Gloucestershire. Honorable...
Among the 143 paintings and 43 sculptures, there were some works, of course, by a handful of men who stand above fashion. Charles Sheeler's California showed a moonlit village so radiant and calm as to bring Bethlehem to mind. Mark Tobey's Pacific Circle was as boldly abstract as anything on view, yet as subtle as it was bold; it pictured the elements mingling in a gentle storm...
...together in a few years. The viewers saw a handsome survey of 57 paintings and six sculptures covering 180 years of U.S. art, from a serene John Singleton Copley portrait, Mrs. Roger Morris, finished in 1772, to first modern works by Watercolorists Charles Burchfield and John Marin, Painters Charles Sheeler, Edward Hopper and Morris Graves...