Word: sheeler
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...protest. But it was also difficult to prove. When the cops discovered that Howard's girl friend, a Mrs. Mary Morgan, was in a hospital, they hopefully put a watch outside her room. Her brother-a 23-year-old, $8-a-week hamburger-stand counterman named Rudolph Sheeler-went to Philadelphia from New York City on his day off to visit her. They grabbed him there...
...Proof. Sheeler vanished into the recesses of City Hall. A week later, he signed a confession: Gunman Howard had shot the policeman and he, Sheeler, had been a witness and accessory to the crime. He was sent to the penitentiary for life by the late Philadelphia Judge Harry S. McDevitt, who neatly disposed of the feebleminded Bilger by getting him transferred to a mental institution from which he conveniently escaped...
...Sheeler was a philosophical sort. He had grown up in an orphan asylum, had become a depression road-kid, and-before he found a job-a petty criminal. He served his time quietly, although his wife had obtained records which proved he had been at work in New York on the night the policeman was shot in Philadelphia. But after seven years, when the cops failed to keep what he regarded as a solemn promise-to get him out after a short term-he began to fight...
...Britain's Henry Moore (at the Buchholz), Grandma Moses' bucolic pleasantries (at the St. Etienne), happy bloops and squiggles by Spain's Joán Miró (at the Pierre Matisse), a fine collection of Ming porcelains (at the Komor), and antiseptic semi-abstractions by Charles Sheeler (at the Downtown). The esoteric fringe, always as long as an Easter bunny's ears, had a bright item: luminescent pictures by Marie Menken (at the Tibor de Nagy Gallery), which were guaranteed to be visible even in rooms darkened...
...happily screwball kind of experiment that professionals, with livings to make, seldom get around to. Philip Ciotti of the Carnegie Institute had explored the thin world between abstraction and reality to produce his weird, orange Newspaper Office (see cut). The result was less photographic than Charles Sheeler's clean-scrubbed in dustrial studies, and more interesting than most out-and-out abstractions...