Word: sheen
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Dates: during 1980-1989
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...supposed to be making money." Loads of it, in fact. The Viet Nam soldier turned Oscar- winning filmmaker was on location in New York City to film Wall Street, a $15 million 20th Century-Fox production about the rise and fall of an ambitious young stockbroker, starring Charlie Sheen, his father Martin, Daryl Hannah and Michael Douglas. "I would have never cut the mustard on Wall Street," Stone admitted during a break between scenes. "I did poorly in economics -- I got a C, and my mathematics were suspect," he laughs. "I lost on every stock I ever invested...
...Manhattan, Stone had his problems with both. "I don't like to work in an office," he complains. "Being under fluorescent light for two weeks is almost equivalent to being under 105 degrees sun in the Philippines." Stone is not the only Platoon veteran who thinks so. Charlie Sheen traded his M-16 for an M.B.A. to play an overeager stockbroker named Bud Fox. The actor found the white-collar trenches of Gotham "much worse. When you get this overloaded mentality, it's tough to find ways to relax yourself. It's tougher than being a grunt...
...inside Fox's heart and mind, Sheen spent a couple of days talking with David Brown, a former Goldman Sachs trader who pleaded guilty to insider trading charges in 1986. "A lot of these guys on Wall Street consider themselves to be warriors," reports Sheen. "They say, 'I'm going off to war today,' and they're not kidding." Sheen had an easier time relating to his real-life dad in the role of his onscreen father, an airline mechanic who senses the hidden price of his son's success. Hannah had difficulty even liking her character. She plays...
...Believers, a movie doing its best to defy description at any length, has some potential in this regard. It posits a Caribbean voodoo cult that offers unlimited worldly power to people willing to sacrifice their young sons in its rituals. And it brings a newly widowed father (Martin Sheen) and his son (Harley Cross) into menacing proximity with the evildoers. A well-made horror film would focus tightly on the son's menaced innocence and force us to share the father's fears as the portents of doom gather about him, his ferocity when at last he must defend...
...entrepreneurial class that has fixated on "masterpieces." One cannot spend $39.9 million on houses, Ferraris or caviar without looking like an ape. Art is the saving grace by which any nasty Croesus with more money than he knows what to do with can look virtuous. It confers an oily sheen of spiritual transcendence and cultural responsibility upon individual and corporation alike. That is why even a soft-porn merchant like Bob Guccione, publisher of Penthouse magazine, is now a "major" collector...