Word: sheen
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...Michael Sheen has been leading a double life. The Welsh actor has built his aboveground rep impersonating glad-handing Brit public figures: Tony Blair in The Deal and The Queen, David Frost in Frost/Nixon. Simultaneously, and subterraneanly, he's also been a wolf-man: Lucian, the half-breed in the Underworld thrillers, whose first two installments, from 2003 and 2006, grossed about $200 million worldwide. It's entirely possible that no single moviegoer has seen both the smooth Sheen and the hairy Sheen - the one in the Savile Row suits and the one who's spent enough time...
...Returning to the Underworld franchise must stir conflicting emotions in Sheen. Six years ago, when he made the first film, he was a supporting player to his then girlfriend Kate Beckinsale's Selene, a vision in pancake face, blood red lipstick and black leather. Then she went off with the movie's director, Len Wiseman - ouch. Since then, Beckinsale has played Ava Gardner in The Aviator and, more or less, Judith Miller in Nothing But the Truth; Wiseman graduated to directing the very snappy fourth Die Hard movie; and Sheen became an upmarket character star. Now he's top-billed...
Cohen, Sacha Baron • Golden Globes audience is grimly unamused by amusing mocking of Madonna, Charlie Sheen and Victoria Beckham...
...imploring the union to achieve a settlement with the studios rather than strike: the letter was seconded by such box-office draws as Tom Hanks, George Clooney, Cameron Diaz, Matt Damon, and Morgan Freeman. SAG president Rosenberg - who has his own list of stars backing him (Mel Gibson, Martin Sheen) - remains fixed on a strike. Starting Jan. 2, he hopes to hold a referendum over several weeks allowing SAG members to vote for or against walking out; 75% must vote "yay" for a strike to go forward. Considering the writers strike brought the industry to a standstill, one can only...
...Pursuit of Happyness, also directed by Muccino) and the mass of moviegoers. Here, though - and this is what lifts Seven Pounds above other Smith dramas - he does tentatively allow another adult onto his solitary planet. Dawson, glammed down in hospital gowns and an invalid's grayish sheen, is knowing, giving and (her word and ours) hot. She's splendid at showing how someone who's tucked herself into the reclusion of her illness wills herself to bloom in the presence of someone with a secret mournfulness greater, and perhaps less curable, than her own. It's a lovely performance...