Word: sheen
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Begin with a birth: a baby-faced soldier, Chris Taylor (Charlie Sheen), is delivered from the womb of a transport plane into the harsh light of Viet Nam. He will find death soon enough: four patrols in the film, four wrenching revelations. On Chris' first night patrol he watches, paralyzed with fear, as the enemy approaches and another new boy dies. On a second patrol the platoon enters a village that might be My Lai; anger goads Chris to spit bullets at the feet of a petrified Vietnamese, and before the day is over the group's leader, Sergeant Barnes...
...Says Dale Dye, the Marine captain who hazed Platoon's actors to firm them up for filming: "Oliver thrives on chaos, throwing together a crew of such diverse backgrounds and ideologies that there's constant friction. It's the kind of energy he thrives on." Platoon's star, Charlie Sheen, 21, found the director "brutally honest. Which is why we clicked. After a scene he'd say, 'You sucked' or 'You nailed it.' That's just my style...
...Hunter was . . . well, what was it? An incoherent parable about male bonding through Russian roulette. Bats and beautiful, it stood like Ishmael on the prow of its pretensions and declared, "Call me masterpiece." Apocalypse Now was fine as long as it accompanied its doomed, questing hero (played by Martin Sheen, Charlie's father) upstream on the River Styx; then it fogged off into fantasyland with Marlon Buddha. Only Company C, a standard-issue war film about recruits betrayed by their incompetent officers, spent much time in a Nam combat zone. But it really resided, with The Green Berets...
...story is simple: a single infantry platoon operates near the Cambodian border in 1968. Chris Taylor (Charlie Sheen), standing in for Stone, has dropped out of college and volunteered for the Nam, hoping to prove his manhood and his self-worth on the field of honor. The film opens with him joining the platoon clean cut and pale as linen. It ends with him being evacuated, turned black with blood and smoke. The movie is about his transition from one color to another...
...Farewell to Henry Adams' Virgin, to the Renaissance and Gothic nostalgia that had assuaged the cultural elites of New York and Boston at the end of the 19th century; welcome to the dynamo, to the total plan, the slick shell housing, the fins and flanges, the didactic sheen of stainless steel, the Aztec-style bracelet of imperishable Bakelite. Goodbye, Hell's Kitchen; hello, skyscraper...