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...flashes freeze frames of evocative TV vignettes round the walls of the gallery: Arlene Francis blindfolded. A masked Lone Ranger. Premier Kosygin. Indistinguishable beauty contest winners. Teddy Kennedy delivering his Chappaquiddick apologia. Truth or Consequences. David Susskind. Moon shots. Spiro Agnew cooking linguini with Dinah Shore. Mr. Ed. Fulton Sheen. A sportscast logo. Truman Capote. General Westmoreland with Ed Sullivan. Perry Como. U Thant, Joe Namath, and so on, for a total of 1,000 slides that are continuously seen on the walls from museum opening to closing. Simultaneously, four TV sets in the corners of the gallery carry live...

Author: /time Magazine | Title: Television: Pap Art | 11/1/1971 | See Source »

...number of human perplexities: Why, for example, did everything go so wrong for Jesus? Why didn't he choose to make his appearance on earth today, when he could have the benefit of mass communications to teach his followers? Armed with a paperback edition of Fulton J. Sheen's Life of Christ, which compares and calibrates the Gospel stories, Lloyd Webber and Rice burrowed and borrowed from Matthew, Mark, Luke and John to create a libretto. The first three Gospels, says Rice, seem more dependable, since John "was much hotter on visions and supernatural things." They concentrated on Christ...

Author: /time Magazine | Title: Show Business: The Gold Rush to Golgotha | 10/25/1971 | See Source »

...usual answers. "No, my mother didn't like it, so I left," she says without breaking her smile. All the recorded dialogue was smooth in a similar way, as if they had been practicing the lines for years. But the camera remains impersonal, never attempting to break through the sheen of confidence and wit. Only once, with a beautiful groupie from California, is there a break in the tidy performances. But the scene is marred by her obvious awareness of the camera, and she begins to mumble uncomfortably...

Author: By Robert Crosby, | Title: Films Groupies | 2/19/1971 | See Source »

...wares, including an Ultra Wave hair cream and rinse for men and an Ultra Sheen line of hair products for women, were selling nationally. Johnson's toughest time came two years ago, when the surge of black pride led to more natural hair styles, specifically the Afro, which severely scissored demand for straighteners and the other hair relaxors. Johnson responded by introducing Afro Sheen, a product line that includes hair spray and a "comb easy" shampoo for the natural look...

Author: /time Magazine | Title: Corporations: Making Black Beautiful | 12/7/1970 | See Source »

Today Johnson gets mixed results from his old products. Sales of Ultra Wave, including the original hair straightener, remain sluggish, but the similar Ultra Sheen line for women is doing well. "Women are too feminine to stay with one style forever," Johnson explains. "With a hair relaxor like Ultra Sheen, a woman has a choice- she can go natural, then move to a bouffant style and go back again...

Author: /time Magazine | Title: Corporations: Making Black Beautiful | 12/7/1970 | See Source »

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