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...favorite of young people, he sports a Beatle hairdo and a free-swinging style in the manner of Leonard Bernstein. Sometimes he indulges his expressive stick technique to paint panels of sheer sound, but he can also propel vibrant, vivacious performances as notable for their substance as for their sheen...

Author: /time Magazine | Title: Conductors: Gypsy Boy | 1/19/1968 | See Source »

...Eastman Kodak and Xerox, Rochester, N.Y., has a lot of candidates for a winner of its Salesman of the Year award. This year, though, the Chamber of Commerce passed up the boys with the order books and reached into the Rochester Roman Catholic Archdiocese to hail Bishop Fulton J. Sheen, 72, for his "outstanding job of selling Rochester to the country, to the world and to itself...

Author: /time Magazine | Title: People: Jan. 12, 1968 | 1/12/1968 | See Source »

...poor. "For every dollar that goes into a church building, a dollar should go to feed starving children," says Presbyterian Minister Robert Hudnut of Wayzata, a Minneapolis suburb, who believes that all new churches should reflect "humility and economy." Rochester's innovation-minded Catholic Bishop Fulton J. Sheen (see PEOPLE) feels much the same way; up to 3% of the value of every parish construction project must be paid to Sheen's office in the form of a levy, which is then channeled to the poor in the district...

Author: /time Magazine | Title: Worship: The Pros & Cons of Cathedrals | 1/12/1968 | See Source »

Papp's vision of the play is a daring one; he has communicated some, but not all of it, to his cast. Martin Sheen, recently seen as one of the punks in The Incident (TIME, Nov. 10), brings to the title role an imaginative boisterousness not unlike his superior work in that film; Ralph Waite is a dashingly demagogic Claudius. Anita Dangler is a fluttery flibbertigibbet of a Gertrude, while April Shawhan is a sexy, miniskirted Ophelia. Gait MacDermot's pounding rock background seems at least as appropriate to this version of the play as the gentle pleasing...

Author: /time Magazine | Title: Theater: Hamlet | 1/5/1968 | See Source »

Last Saturday, T ended his program with a 10 minute cut from a Lenny Bruce tape. The monologue described Jesus and Moses coming down to earth one Sunday morning to hear "a double billing with Sheen and Spellman at St. Pats." They enter during the sermon and sit down at the rear of the Cathedral. Spellman directs Sheen to "put on the chorus for 10 minutes" and calls up Rome for instructions. "Don't look now," Sheen interrupts, but here come the lepers." The dialogue is at once screemingly funny and extremely offensive to the Church. It ends with Spellman...

Author: By Parker Donham, | Title: Uncle T's Freedom Machine Gives Boston Radio a 20,000 Watt Jolt | 12/15/1967 | See Source »

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