Word: sheerness
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Dates: during 1960-1969
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...school that has rarely fared well in public esteem, expecially in the U.S. Fin de si�cle examples were customarily tainted by a kind of Wildean flounce, or could be made to seem so. More often the doctrine has been propounded to excuse artistic self-indulgence, sheer gush, or at best the refined outpourings of private feeling. None of these excesses apply to Nabokov. Few writers have brought to the practice of art for art's sake?or indeed to thematic literature?the enormous talent and discipline, the overwhelming intellectual grasp, the scrupulously objective range of eye and ear that...
...violence of the age, says Rosa, the "gunfighter" was largely created through the mechanical ingenuity of one man: Samuel Colt. By 1861, there were nine main varieties of Colt revolvers (mostly known as "Peacemakers" or "hog-legs") in use on the frontier. They constituted the most dramatic revolution in sheer firepower since the invention of the musket. Colt revolvers were fast and reliable. In superior hands they could regularly hit a five-inch circle at 50 yards. At 100 yards, the Peacemaker could drive a bullet more than three inches into a pine plank. With such a weapon a skilled...
...typical audience is a group of innocent people collapsed into a cavern, some out of duty, some out of curiosity, a few out of vanity, sensuous lust, of sheer chance. To borrow an image from F. Scott Fitzgerald, the musical landscape is like the ears of Dr. T.J. Eckleberg poised over a valley of ash in which there rests a supine multitude, with a string quartet in the middle playing uneasily. Yet there precariously exists among these people a fund of instinctive love for art. The problem is that this regard, if it hasn't been ground to pieces...
...those desiring to create music with the least possible constraints, represented by Cage and Stockhausen. The latter reacted against the old ghosts of Kingsor and Vienna, Wagner and Schoenberg himself. The new principle was that the legitimacy of music flows simply from the auditor's effort to feel sheer sounds. Music is the sensitized constancy of the world's masses. To borrow a term from language studies, music is mimetic; it imitates life as it strives to express it. In the music of chance, the craft of composition refers more to the preparation of the listener than to the formal...
...time for man to realize that he is a chemical being. (The time has come now because things are getting out of man's conscious control--or rather, too much under his unknowing and accidental control. Automobile exhaust, Nytol, and the sheer noise of the subways are making man into what he feels like without his realizing...