Word: sheilah
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Dates: during 1960-1969
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...Sheilah Graham's syndicate claims 30 million readers for her column...
Another Ambition. Despite success in her chosen career, Sheilah Graham played her most satisfying role during the three years (1937-40) she spent in Hollywood with F. Scott Fitzgerald, then at the end of his tether. With Ghostwriter Gerold Frank, Miss Graham told that story in the bestselling Beloved Infidel (TIME, Nov. 24, 1958). "I was never a mistress," writes Miss Graham firmly in her current book, whose very title pays tribute to the depth of that experience. "I was a woman who loved Scott Fitzgerald for better or worse until he died...
...Today, Sheilah Graham has deposed Hopper and Parsons as doyenne of the Hollywood columnists. Miss Parsons is down to 69 papers, Miss Hopper to 100; the Graham column appears in 178. But the crown has lost much of its luster. In January, Miss Graham's column title was changed from Hollywood Today to Hollywood Everywhere in belated recognition of Hollywood's decline as the capital of filmland, or the capital of anything. Miss Graham herself stays away as much as she can. "I get bored with all the nonsense," she said the other...
...Gabor, doing a TV guest shot with Johnny Carson, was zeroing in on her targets for Tonight: Hollywood Chronicler Sheilah Graham and Hearst Society Scribe Suzy, who often give Zsa Zsa the benefit of a clout. Sheilah pretended she hadn't heard. But not Suzy. "Hungarian blabbermouth," "Fatty," "Miss Tank Town," she wrote. "Zsa Zsa has an age complex, and in her case she has a right to one. I'll spot her ten years. My nose is the one I was born with, and I've never had my face lifted...
...Since 1950, annual sales of his books have climbed 400%; his novels have been converted to movies as fast as Hollywood could find stars to play them (most recently, Tender Is the Night); his life has been fictionalized (by Budd Schulberg in The Disenchanted); his last mistress (Hollywood Columnist Sheilah Graham) has issued her memoirs; his notebooks and diaries have been edited by Edmund Wilson (The Crack-Up); and he has become a popular target for Ph.D. theses and those solemn essays in amateur psychoanalysis that often pass for criticism...