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...CAROLE Shelley is here an admirable Viola--sprightly, intelligent, and a model of sanity in a world of absurdity. Her diction is clean, and her handling of the "Fortune forbid" soliloquy is particularly distinguished. But there is more beauty in the "damask cheek" speech than she is yet able to convey. (Siobhan McKenna's portrayal remains the yardstick for this part, as for Shaw's Saint Joan and others.) The plausibility of confusion between Viola-Cesario and Sebastian is helped here through Donald Warfield's soft, rather womanly portrayal of the brother (a role once played by a 19-year...

Author: By Caldwell Titcomb, | Title: 'Twelfth Night' Opens Twentieth Season | 7/1/1974 | See Source »

...physical characteristics (a high forehead, "the brow of a philosopher," and a huge grizzled mustache. With the vitality of a dog grinding a juicy bone, Rosenberg goes on to extract from the 60 Sherlock Holmes stories strong influences from Oscar Wilde, Catullus, Robert Browning, Racine, Poe, Mary Shelley, George Sand and even Jesus Christ...

Author: /time Magazine | Title: Books: Top Bananas | 6/24/1974 | See Source »

Martha Mitchell . . . . . . . . . . . . . . . . . . . . . . . . .Shelley Winters...

Author: /time Magazine | Title: The Nation: Casting a Melodrama | 6/17/1974 | See Source »

...Heat, Trash and Flesh. The movie features the usual Morrissey crew: harpies, fag hags, neuters and no-talents clutter up the screen and pop out of it in 3D, which is two more dimensions than they would provide without technological assistance. The prevailing notion is a retooling of Mary Shelley, en cumbered with dismal sex and heaping portions of grue. Limbs, entrails and corpses come whizzing over the heads of the audience, along with various bats and other creatures of horror fiction. As so often with Morrissey, the joke wears thin fast, destroyed by its own spareness of invention...

Author: /time Magazine | Title: Cinema: Quick Cuts | 6/10/1974 | See Source »

...cinematographer Jean Boffety aims his camera. But also I mean the views director Robert Altman gives us of Bowie and Keetchie, the central pair of lovers, views which are confined to a few conversations, a love scene or two, and above all the faces of actors Keith Carradine and Shelley Duvall, which are as beautiful in their simplicity and awkwardness as the country around them is in all its rural roughness. Both give excellent performances, but Duvall particularly makes a sparse role tease us with suggestions of a character fuller than the one we actually meet. These are simple people...

Author: By Phil Patton, | Title: Honor Among Thieves? | 4/30/1974 | See Source »

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