Word: shelleys
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Dates: during 2000-2009
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...privilege made her feel a displaced person. Acting was a calling that could blend her fiery Leftism with her pleasure in being looked at, so she joined the Royal Shakespeare Company. Even that cutting-edge troupe was too establishment for Swinton. She starred in a miniseries based on Shelley's Zastrozzi and did fringe theater, where she met the Scots playwright John Byrne, with whom she had twins and still lives. She also found a mentor, and soul-mate, in the gay avant-garde filmmaker Derek Jarman...
...book, A Cousin's Promise, is set among the Amish in Indiana) - more than a dozen other Christian-romance novelists are eschewing Sex and the City-type story lines for horse-and-buggy piety. "There still isn't enough inventory," marvels Avon Inspire's Cynthia DiTiberio, who edits Shelley Shepard Gray, a recent entrant to this genre. And there's no shortage of demand: romance fiction, of which Amish-themed novels command a growing share, generates nearly $1.4 billion in sales each year, and that number is rising. (See the top 10 fiction books...
...Wednesday, the band released their free mixtape, called "Jacques Jams, Vol. 1: Endurance," featuring collaboration with some big names like Pharrell, Jadakiss, and Lady Gaga. The collection has gotten some rave reviewers from well-meaning listeners, like "Shelley...
...thus madly dangerous - the norm, many communities began questioning why the heck they had invited such unruly houseguests in the first place. By 1985, some 370,000 students were descending on Fort Lauderdale (or fondly, "Fort Liquordale") annually - prompting yet another exploitative film, Spring Break starring Tom Cruise and Shelley Long. But by the end of the '80s, the town had enough: stricter laws against public drinking were enacted and Mayor Robert Dressler went so far as to go on ABC's Good Morning America to tell students they were no longer welcome. As a result, spring breakers were pushed...
...Sometimes, through the fine lace of period propriety, fire and madness emerged. In one of her first starring roles, as the budding author Mary Shelley in Ken Russell's loony Gothic (1986), Richardson somehow made emotional sense of a young woman who is racked by visions of her stillborn child, and who, from the labor of her nightmares, gives birth to literature's most enduring monster: Frankenstein. Two years later, she was convincingly Californian in Paul Schrader's oneiric docudrama about Patty Hearst - another nightmare role that she approached with the passion and, especially, the precision of a mature actress...