Word: shelleys
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...Guts." For almost a minute the audience applauded in sympathy. Then suave Announcer Hugh Downs took over and nimbly walked a tightrope between gentlemanly criticism of NBC and gentle disagreement with Paar. Comic Orson Bean came on to denounce the "dehumanized" network that had neither "loyalty" nor "guts." Comic Shelley Berman chimed in with a call for Paar's fans to march on Radio City with pitchforks. Later, Bean struggled to get the thing into better perspective. "Listen," he said, "the network doesn't stink as a network. It stinks as a human relationship outfit...
...Fabulous Fifties (CBS, 7:30-9:30 p.m.). A backward look that takes in a talented team of entertainers who lent the decade distinction. Guests include Jackie Gleason, Rex Harrison, Julie Andrews, Shelley Berman, Nichols and May, Photographer Richard Avedon, and the playwriting duo of Betty Comden and Adolph Green...
...pantomime of bare-fanged marriage-they are splendid. Lahr in a plane or at a stage door, Walker in a hash house or the Garden of Eden, also have their moments. But too often, though they make their lines brighter, they cannot make them bright. TV's Shelley Berman does nicely in a character-part telephone monologue, but falls flat as a straight man, and the rest of the show alternates dullness and noise when it does not combine them...
...esthetic movement in Russian poetry that rebelled against the didactic, social-protest verse of the late 19th century. He was briefly drawn to the "Futurists." with their sprung rhythms and staccato, telegraphic style. But in many ways he also harks back to the English romantics. With them-Blake, Shelley, Keats-Pasternak sees nature as the handwriting on God's wall, or at least as the outward sign of an unseen and perhaps mystical order of things. And with the romantics, Boris Pasternak shares the belief that the creative imagination is itself divine, sharing in God's own creativity...
Intentionally or not, Biographer Big-land has written an expose of advanced thought in Shelley's England. In the Movement, her record shows more finance than romance and proves again that those who set out to rid society of hypocrisy usually have plenty of their own in case they succeed...