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...precocious, in fact, that he might skip a few grades and go right into the senior class at Crestridge High, where the calendar reads "Autumn 1982" but all available evidence indicates a stopover in the late 1950s. Crestridge is the sort of happy-go-lucky institution where Shelley Fabares ought to be the homecoming queen and Beaver Cleaver the hall monitor. It serves, however, as the unlikely temple of learning for Matthew Star, who is, literally, a space case. Matt (Peter Barton) is, as the opening narration informs, "a typical American teen-ager." It's just that he also...

Author: /time Magazine | Title: Video: The Blackboard Jumble | 10/18/1982 | See Source »

...annual sales grew to about $10 billion, but the growth rate since has slowed considerably. Changing social conditions have affected sales: potential new customers, in the form of women entering the labor force for the first time, are not quite so numerous as they used to be. Says Roger Shelley, a Revlon vice president in charge of corporate affairs: "That kind of shot in the arm is missing now, as we look forward into the 1980s...

Author: /time Magazine | Title: Shake-Out in the Skin Game | 10/11/1982 | See Source »

...eater, is a quick kiss between bites of Mallomars. And his new partner on the night shift at the city morgue. Bill Blazejowski (Michael Keaton), is trouble: a pin wheel of sputtering ideas, a motormouth that roared. Out of desperation and a growing fondness for the girl next door (Shelley Long), Chuck devises a scheme that will make them all rich: he and Billy will act as "business agents" for a flock of unchaperoned prostitutes, and his office will become the best little morgue-house in New York...

Author: /time Magazine | Title: Cinema: Slaphappy | 8/9/1982 | See Source »

...acting in sitcoms (The Andy Griffith Show, Happy Days) for most of his 28 years, should know more about shaping comic characters, situations and moods than he shows here. Winkler, the Fonz on Happy Days, is pleasantly put-upon here; Michael Keaton, also from TV, is mildly manic; and Shelley Long so resembles Pam Dawber in her squeaky cuteness that one wonders why the producers didn't raid Mork and Mindy for the real thing. Sitcom humor, like water and sex, is something that is more enjoyable when it is free...

Author: /time Magazine | Title: Cinema: Slaphappy | 8/9/1982 | See Source »

...typically pleased that they can reveal so much about themselves. "Here I am, warts and all," Henry Fonda exults on the jacket of Fonda, Howard Teichmann's new as-told-to book. And Fonda's spirit merely mimics that of other such recent candor-struck memoirists as Shelley Winters, Lauren Bacall, Elizabeth Ashley, Sidney Poitier, Gene Tierney, Joan Fontaine and Ingrid Bergman. There cannot be many Hollywood giants left who have not been treated in one book or another. To peruse even a few thousand pages of these literary star treks, however, is to realize that they...

Author: /time Magazine | Title: Essay: What the Stars Are Really Like | 7/12/1982 | See Source »

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