Word: shelleys
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Even the stock players are revitalized by off-center writing. The obligatory blond bombshell (Shelley Smith) turns out to be a Stanford-educated superachiever. The ancient senior partner (the wonderful British actor Wilfrid Hyde-White) is doddering ("I make my best decisions when I'm asleep") and autocratic, but often he proves to be the wisest person in the room. The firm's most unctuous, corporate-minded lawyer (Joe Regalbuto) may be a back stabber, but he is also a mean wit. When a liberal colleague talks about serving mankind, he replies, "Unfortunately, they...
...courses that Shelley Hack never needed as a history major at Smith were how to handle a snub-nosed .38 and the proper way to kick nasty men in the ribs. Neither did she require such talents as the sybaritic Charlie perfume girl. But both are in her curriculum now that Hack, 31, has replaced Kate Jackson in the trio of Charlie's Angels alongside Veterans Cheryl Ladd and Jaclyn Smith. Artfully imitating her own earlier life, Hack will play a Seven Sisters seraph named Tiffany Welles. As such, she has to bite the Angel dust from time...
Karloff's monster is stiff-jointed and barely verbal; Mary Shelley's monster is quick on his feet and can speak like a Romantic poet on an off night: "I will glut the maw of death until it be satiated with the blood of your remaining friends." Similarly, most popular dramatizations of the novel have singled out the Faustian side of Frankenstein's quest: the monster is his punishment for seeking too much power...
...erudite, and their prose is rarely worse than that required to win the fellowships and respect of academe. But the capital offenses are all here: the preening citations of the obvious: "In the film The Bride of Frankenstein, as Albert LaValley reminds us, Elsa Lanchester plays both Mary Shelley and the monstrous bride . . ."; the fancy notion among professors that authors and characters " articulate" rather than speak; the impossibly pretentious titles ("Vital Artifice: Mary, Percy, and the Psychopolitical Integrity of Frankenstein "). Pity the poor parodist when such things are written seriously. Never mind. Mary Shelley's monster lives through such...
Most of us first became acquainted with Frankenstein and his terrifying creation not through the pages of Mary Shelley's 1818 novel but through our childhood Saturday afternoons at the movies . . . By the time we read the novel the images from various films are so firmly imprinted on our minds that it is almost impossible not to filter the events and images of the book through the more familiar ones of the films. We are apt to distort the novel to fit a familiar mold, miss what is fresh or unfamiliar...