Word: shelterer
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Dates: during 1970-1979
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Hundreds of thousands of these are still wandering about the countryside without food and shelter. Near the border, some have taken over schools to sleep in; others stay with villagers or sleep out in the fields and under the trees. Most are shepherded into refugee camps where they are given ration cards for food and housed in makeshift sheds of bamboo covered with thatched or plastic roofing. Though no one is actually starving in the camps, food is in short supply, particularly powdered milk and baby food...
...Paris. A WINDFALL FOR VENDORS OF THE GOODS AND SERVICES THAT ECONOMY-CLASS TOURISTS WANT. Among the beneficiaries: European small-car-and bicycle-rental companies, inexpensive restaurants, even greengrocers, and North American sporting-goods and Army-Navy stores. Today's young travelers load up with sleeping bags, shelter halves and Swiss army knives. U.S. knapsack sales so far this year are way up. A SERIOUS PROBLEM FOR THE TOURIST TRADE IN THE CARIBBEAN, HAWAII AND THE U.S. SOUTH. Some resorts in those areas have already been hurting for more than a year, partly because of competition from charter flights...
...afternoon the skies above the White House Rose Garden were a dull pewter gray. The 400 guests arrived at the East Gate, had their credentials checked so that crashers could be spotted, and walked quickly through intermittent drizzle to shelter under the South Portico. It was not an auspicious beginning. Many guests thought that Tricia Nixon should move her wedding indoors to the East Room...
...device serves two functions. First, it gives Shelter an intellectual gloss: Mick or Keith's contemplation suggests the burden of self-consciousness, a filmed discourse on the relation of self to representation, etc., etc. Naturally this is all glitter; what such a schema really does here is allow the filmmakers to cut another slam-bang rock 'n' roll number in every four or five minutes without risking a stylistic break. That way the sequences of Melvin Belli negotiating for the Stones, virtually the only explanation tendered in the entire film concerning who is responsible for what, are not permitted...
...couldn't drag me away/ Wild horses, we'll ride them someday," and the other a derivative "Brown Sugar." And you get lots of live performances, but frankly the cloying, infatuated photography renders even these tedious after three or four songs; the Maysles seemed to have realized this, and Shelter's nadir comes when they try to jazz up their presentation of "Love in Vain" with rapturous slow-motion andYard,' with its hallowed dormitories that once housed some of our nation's great literary, philosophic and scientific minds." I found the use of the past tense particularly interesting...