Word: shemtov
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Dates: during 2000-2009
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...Baruch Y. Shemtov ’09, a plane’s collision into a high-rise apartment building on Manhattan’s Upper East Side yesterday hit too close to home. A plane owned by New York Yankees pitcher Cory Lidle crashed into Belaire Condominiums, where Shemtov lives with his father. The crash killed Lidle and his flight instructor. “The plane hit literally a floor above my apartment,” Shemtov said. His father, who was not home during the crash, was allowed to enter the building around 6 p.m. last night...
...Relative to peers in the fashion industry, Hilfiger’s admirable. But on a global level, there are many people who don’t wait to make millions before giving back,” Wattie told The Crimson after the speech. But Baruch Shemtov ’09, a designer of his own line of ties, called Hilfiger’s speech “captivating” and said that he was impressed by Hilfiger’s personal contributions. Hilfiger also joined members of the Foundation and select students for lunch yesterday in Lowell House...
...door, and a nice-looking Umbria girl was taking IDs. Budding financier and publisher Fred L. Bronstein ’06 shifted his weight on the steps, and JetBlue student rep Ming E. Vandenberg ’08 stood behind him. A tie-maker named Baruch Y. Shemtov ’09 made calls on his cell phone. A long line of angry tomcats piled up behind them, their leader loudly wondering what the fuck was up with the line...
Take the feature on Baruch Shemtov ’09, a tie designer, who the magazine interviews in New York at “The Carlyle...a swank upper-east side establishment.” Author Danielle Sassoon ’08 is particularly impressed that “Baruch” (as he is endearingly referred to on second reference) has an in with the maitre d’—a term whose only accepted variant differs in its inclusion of a cirumflex above the “i.” Except that in the article...
...Kevin” (Baruch Y. Shemtov ’09), comically over-exaggerated in his quest for relief, breaches the unspoken bathroom rule of aloofness and asks the other man—who at first seems comparatively normal—for “help” in progressively outrageous ways. Raucous comedy, more pointed and risqué than in the other works, ensues. The result, however, was not overtly offensive but managed to make viewers just uncomfortable enough to succeed dramatically...