Word: shensi
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Eventually Teng was restored to good standing and became editor of the army newspaper Red Star. In 1934, he joined Mao's legendary Long March?the heroic, 6,000-mile trek by the party's forces, under constant harassment by Chiang Kai-shek's armies?to remote Yenan, in Shensi province. Food was scarce in the mountainous caves, but Teng rose ingeniously to the occasion. According to Chou's secretary, Yang Yi-chih, Teng earned the gratitude of Mao and other party leaders because of his skills, not in the military arts, but in cooking. He was justly famous...
...superpower by the year 2000. Scuttling Mao's sacred precept of national self-sufficiency, China's leader have called for "a New Long March," toward modernization. There are mythic overtones to that phrase: Mao's original Long March of 1934-35, from Kiangsi to remote Shensi province, was the crucible that forged the Communist Party in China...
...once scorned pragmatic economic program adopted as state policy. At the same time, thousands of provincial party leaders have been purged as co-conspirators of the Gang of Four, and Teng loyalists who had been ousted by the gang have been rehabilitated. In one huge demonstration in Shensi province last month, 741 people who had been branded by the radicals as a "black den of spies" were welcomed back to the party fold. Two weeks ago Teng stage-managed the removal of Tseng Shao-shan as first party secretary of industrial Liaoning province in northeastern China...
...keep the lid on" the anti-Gang movement. In Kwangtung, according to one broadcast, entrenched followers of the radicals infiltrated an investigation of their own affairs. The result was that evidence compiled on the local activities of the Gang of Four simply vanished. In other provinces-Liaoning, Honan, Shensi-there have been no top-level changes in a decade, which suggests that in those areas the officials who took power during the Cultural Revolution have been protected from the purge...
...consequence the exhibition of 80 paintings made over the past five years by peasant workers in Huhsien county, Shensi province, which just opened at the Brooklyn Museum and will travel to San Francisco, Chicago, Los Angeles and Houston throughout 1978, is not only interesting but instructive. These bright-colored, Volk-ish scenes of collective labor, with their clear and pretty patterns, are, in fact, like posters a prime form of political instruction in China. As the catalogue remarks, they exemplify "the abolition of the distinction between manual workers and brain workers." How complete this erasure has been the show makes...