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...lush, colorfully textured Claude Thornhill band; the showmanlike Jimmie Lunceford unit, whose buoyant two-beat style influenced such latter-day bands as Billy May's; and one of the rare curiosities of big-band history-the 35-piece, all-reed-and-woodwind ensemble of the 1940s fronted by Shep Fields, otherwise an undistinguished leader of ricky-tick commercial groups...

Author: /time Magazine | Title: Bands: Play It Again, Sam | 11/24/1967 | See Source »

...with a chorus of earsplitting chimes and 300-lb. Fat Daddy shouting: "Hear me now! Let me sock it to ya, Momma! From the depths of a fat man's soul, a golden oldie from outa the past with a star-studded cast! A WWIN radio blast! Shep and the Heartbeats! Eeetiddlydee! Come...

Author: /time Magazine | Title: Radio: The Decibelters | 10/27/1967 | See Source »

Bootlegging is a violation of an assortment of state and local laws, but it is a commonplace that there is a lot of it -- and that a good many policemen profit from it. Any Negro who drinks -- and many who don't -- knows where Bambam, Ratkiller, Shep, or Blue, to name a few of the biggest bootleggers in Birmingham, sell their wares...

Author: By Stephen E. Cotton, | Title: Birmingham Slowly Integrates City Police, But How Much Difference Does It Make? | 10/3/1966 | See Source »

...proved to be a better equestrian than onetime Press Secretary Pierre Salinger had been -but not by much. After the ride, he returned to terra firma with a heavy sigh of relief, announced that he would do anything for Johnson but: "No more horses." The President haw-hawed, later shep herded a few people, including Hubert and Muriel Humphrey, on a leisurely sundown tour of the ranch, drawled contentedly about the soil, the rain, and the virtues of the U.S. voter. At the ranch after dinner, Lyndon and Hu bert kidded about their pre-election predictions; Johnson had said...

Author: /time Magazine | Title: The Presidency: THE WORK THAT FACES US | 11/13/1964 | See Source »

...acting of George Grizzard, as Shep Stearns, the young writer who accompanies Halliday, is usually a hindrance, especially in the beginning. Gizzard continually overacts and, like many of the other performers, including Robards, mistakes volume for intensity. At many points, the grating quality of Stearns' performance, make audience participation impossible. Stearns' best moments are his comedy scenes with Robards, and these scenes form the most memorable part of the play. This is, in a sense, unfortunate, since The Disenchanted is not meant to be a comedy...

Author: By Bryce E. Nelson, | Title: The Disenchanted | 11/5/1958 | See Source »

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