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Word: sheparded (lookup in dictionary) (lookup stats)
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...Christians to show love and toleration for gays and lesbians and to speak out against anti-gay hate crimes. The sermon capped what was billed as a weekend of reconciliation between Falwell and gay Christians, including a meeting for evangelicals and gays to get to know one another. Matthew Shepard must have been looking...

Author: By Adam A. Sofen, | Title: The Lessons of Lynchburg | 10/29/1999 | See Source »

...golf balls hit by Alan Shepard...

Author: /time Magazine | Title: Talk About a Full Moon | 10/25/1999 | See Source »

...when he's at his best, Shepard can pull tricks of which Mamet is incapable. His characters, unlike Mamet's tough-talkers, are willing to show their own vulnerability. They are desperate to do so in some cases. And this is where Kellerman's production shines. Kellerman has an eye for portraying human frailty, for capturing the looks and muffled breaths that mark us at our weakest moments. What is most amazing is that he can make these looks and breaths seem as powerful in the 500 seat mainstage theater as they did in the infinitely smaller...

Author: By David Kornhaber, | Title: Post-Script to Blackmail: Deceit and Regret in | 10/22/1999 | See Source »

...None of this would be possible, of course, without the remarkable cast of Simpatico. Shepard's play presents the aftermath of a 15-year-old case of blackmail, showing how both the blackmailers and the blackmailed must struggle to shape for themselves normal, fulfilling lives. At the center of the play is Carter, the mastermind of the nefarious scheme, played with passion and subtlety by David Modigliani '02. Carter is the only character to have profited from the blackmail scandal, but Modigliani is wise enough to show that his success and power are as much mental creations as they...

Author: By David Kornhaber, | Title: Post-Script to Blackmail: Deceit and Regret in | 10/22/1999 | See Source »

...there are many electric moments in the play. Set designer John Gordan '01 places Shepard's characters in what resembles a series of stacked prison cells, and it is in this segmented, sequestered reality--under the blinding, white lights of Matt Denman '00--that they must fight to find companionship and solace. The difficulty of coming together in such antiseptic enclosures makes the play's moments of human contact, or near contact, all the more heart-stopping. And it makes the play's final image, an image of ultimate loneliness, seem all the more sad for its inevitability...

Author: By David Kornhaber, | Title: Post-Script to Blackmail: Deceit and Regret in | 10/22/1999 | See Source »

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