Word: shepherdess
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Dates: during 1990-1999
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...chocolate) dance is all high kicks and jumps, followed by the slow, sensual Arabian (coffee), which requires great flexibility and extension on the part of the female dancer. Next comes the Chinese (tea), with two lead dancers accompanied by eight little girls with parasols; then a Marzipan shepherd and shepherdess, with four adorable little girls as sheep. The Russian variation is always the most exciting, as the five men jump, stomp and cheer in fine style; the lead Russian on opening night, Christopher Buzdinski, wowed with his amazing jumps and consecutive flying splits. Mother Ginger and the eight Polichinelles under...
...marvelously villainous fop in the first act, although his performance wavers toward the end of the play with his character's transformation into a repentant lover. And Scott Brown '98 and Lucia Brawley '99 are delightful in their interpretations of the hapless shepherd Silvius and the arrogant shepherdess-turned-funk-queen Phebe--a pair given little depth in the text, but lent tremendous personality in this production...
...because of the performances, which are fine. Culkin appears a little too camera-wise performing among relative amateurs, but he is an effective prince. Kistler dances with the tender grace of a fairy princess. Kyra Nichols leaps through the role of Dewdrop like a cavorting sprite. In the Marzipan Shepherdess's exacting solo -- full of exposed pointe work -- Margaret Tracey looks like a particularly toothsome sweet and dances impeccably...