Word: sheriffs
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Dates: during 1960-1969
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Gasped Washtenaw County Sheriff Douglas J. Harvey: "If there is such a thing as a flying saucer, this must...
...from the county fairgrounds and is the slithering, ravenous reason for their flight. Milo himself would rather pursue his affair, begun two days before, with the 16-year-old daughter of the python's proprietress, but family fealty prevails over private pleasure. With the town's aging sheriff, he rounds up a dozen rustic volunteers and marches off to the chase. Along the way, he gets disastrously drunk on a double swig of corn liquor, staggers off to get sober, and winds up delightedly in bed with the impotent old sheriff's mildly demented young wife...
...belt counties, black candidates hope to win up to 30 primary contests. In a number of races, though, civil rights leaders prefer to manipulate the balance of power. One likely white beneficiary is Wilson Baker, Selma's public-safety director, who is challenging Dallas County's bullyboy sheriff, Jim Clark. Baker's restraint during last year's impassioned civil rights demonstrations may have also won him hefty non-Negro support. The reason: many Dallas County whites blame Clark's cattle-prodding tactics for dramatizing Negro demands, thus helping to assure passage of the federal voting...
...Percy Foreman, 64, is probably the biggest, brashest, brightest criminal lawyer in the U.S. The 250-lb. son of a onetime Texas sheriff, Foreman chose brains over brawn as a teen-ager when he landed a contract to load cotton at 25? a bale, then hired laborers to do the job at 8? a bale. At 16, Foreman quit the hamlet of Bold Springs to seek his fortune in Houston; he shined shoes, delivered papers, and hustled through the University of Texas law school. Of his clients, he likes to say mysteriously: "They may not always be right, but they...
...dull moments, nor does it lack the courage to cash in on its convictions, most of which are half-truths deftly rigged to attract liberal non-thinkers. Miss Hellman seldom lets a scene end without tacking on her comment; except for a handful of courageous, long-suffering Negroes and Sheriff Brando, no Texan escapes being singed by a Statement. Brando ably plays the stereotyped champion of human rights that he seems compelled to endorse in film after film, changing only his dialect. Bloody, brutally beaten by local louts, he makes a final, desperate attack against prejudice and hatred while indifferent...