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...struck the match often enough. In May 1996 police forcibly subdued him when he was ranting "Fight the power!" in a busy intersection in Sherman Oaks, Calif.; a loaded gun was in his pocket. Last August he was arrested at Burbank Airport for carrying a loaded revolver. This January Tisha Campbell, his Martin co-star, filed a suit alleging sexual harassment and refused to appear in intimate scenes with him. In March he was arrested after a man said the star punched him inside a Hollywood nightery. Now Lawrence is fighting his ex-wife's challenge to their prenuptial agreement...

Author: /time Magazine | Title: CINEMA: MARTIN LAWRENCE: TOO MUCH TO LOSE | 7/21/1997 | See Source »

Lawrence, who seemed sedate if not sedated in a conversation last week with TIME, agrees that success is a bitch goddess: "I tried to prepare for it. But you can't really prepare for it." He says of the Sherman Oaks incident, "It was a time when I was working very hard, and I should have been home resting. My marriage wasn't going very well, and it was a difficult time in my life." He says that any medication "was doctor-prescribed. It was no more than taking an aspirin." He insists that his temper flare-ups are over...

Author: /time Magazine | Title: CINEMA: MARTIN LAWRENCE: TOO MUCH TO LOSE | 7/21/1997 | See Source »

...themselves--and all in the name of their art, of course. MADONNA, whose latest incarnation is Mother (and who has come under fire recently for, of all things, not having childproof window guards in her apartment), is the sole sponsor of an exhibition of works by CINDY SHERMAN, "Untitled Film Stills," which opens this week at New York City's Museum of Modern Art. Sherman photographs herself in a variety of guises, many of which evoke old Hollywood B-movies. No wonder Madonna is a fan. The two changelings met for the first time at a private reception...

Author: /time Magazine | Title: People: Jun. 30, 1997 | 6/30/1997 | See Source »

...think that's exactly what I was getting at. It's really helpful if you break it down into the Irish, or in some cases generational analysis and talking about the medium. It seems similar again to your work on Cindy Sherman, where we could say that Laura Mulvey throws on a feminist reading and you ask more specifically how that functions within Sherman's work, how her photographs signify or come to a feminist stance...

Author: By Scott Rothkopf, | Title: Krauss and the Art of Cultural Controversy | 5/16/1997 | See Source »

...course you have to be aware of all of those other possibilities, because clearly Cindy Sherman herself is reading Laura Mulvey and knows all about that material and is programming a lot of it into her work. But she's also programming other things, just a James Coleman isn't sitting there in Dublin for nothing. He's totally aware. For instance, he lived in a house in Montjoy Square, which is the square that was the setting for Synge's The Plow and the Stars. I'm not sure of this, actually. We are now treading on my area...

Author: By Scott Rothkopf, | Title: Krauss and the Art of Cultural Controversy | 5/16/1997 | See Source »

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