Word: sherwood
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From the retirement of his California ranch, the former commander of the world's greatest air force has told his story in Global Mission. Readers had better not look for the overall grasp of high-level problems that marked Robert Sherwood's Roosevelt and Hopkins or for the tersely marshaled facts and concise, West Point English of General Dwight Eisenhower's Crusade in Europe. But Hap Arnold's military life spans the whole life of military aviation, and no one now living can speak with more authority about the growth of air power. Global Mission...
...celebrate its 25th birthday last week, the Saturday Review of Literature (circ. 92,000) rounded up a literary team of heavy hitters led by Robert Sherwood, John P. Marquand, Lewis Gannett, Christopher Morley, Maxwell Anderson. They obligingly tried to knock the cover off the ball, but it was SRL that slugged out the homer, circulation-wise. Even at the new price of 20?, up a nickel, it sold out a record press run of 150,000 copies in three days. Then it ran off another 10,000 copies, and contracted with a publisher to bring out the star-studded issue...
...trails were cut when Sherwood Anderson rebelled against the O. Henry plot formula, when Theodore Dreiser discarded the genteel tradition, and when Ernest Hemingway sharpened and toughened the language. But the trails that were fresh and even perilous a few decades ago are now dusty and routine, and most of the writers in Miss Foley's collection are still stumbling along them...
Miss Liberty (music & lyrics by Irving Berlin; book by Robert E. Sherwood; produced by the Messrs. Berlin & Sherwood and Moss Hart) was Broadway's most ballyhooed hot-weather opening since Composer Berlin's bang-up This Is the Army in 1942. This is not the army. This is not even a very exciting summer event. Miss Liberty has much that is sound Broadway about it, but little of Berlin at his best, and nothing of Sherwood...
...Oliver Smith's elegant and evocative sets. Like most period musicals also, Miss Liberty has a thin, insipid air of farce about it. But it is too much in one key; by not changing enough, it drifts steadily toward the worse. As a complete novice at musicomedy, Mr. Sherwood might have blundered into something truly fresh and individual, but he seems to have carefully studied how to be as much (and as mechanically) like everybody else as possible...