Word: sherwoods
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Three songs, "From Me to You," "I Dance Alone," and "Back Home," by Alan J. Lerner '41 and Sherwood Rollins, Jr. '40 will be played by Ruby Newman's Orchestra on the opening night, March 22. Lerner collaborated on the script, said to be one of the best in Pudding history, with Morgan O. Preston '39, and J. David Lannon '39. Edward C. Lilley is scheduled to direct the musical while William Holbrook is in charge of dancing...
Young Robert Lane Anderson, who took over the Marion, Va. Democrat (circ. 1,400) and the Republican Smyth County News (circ. 1,600, both printed in the same plant) from his father, Novelist Sherwood Anderson, in 1932. An able graduate of several big city newsrooms, Publisher Anderson repeatedly urges his cattle-raising readers to go in for purebred stock and baits the power company for lower electric rates. He has lately installed a one-man photographic and engraving department that feeds his papers shots of local rabbit hunters, sorority initiations, farmers' wives in town to buy perfume. Best-played...
...Mussolini. With such a great amount of vitality drained from the original play, the movie cast has little substance upon which to build their characterizations. Burgess Mcredith's radical Quillery suffers especially from this limitation; Edward Arnold as the munition manufacturer is a bestial villain--which was certainly not Sherwood's intention in writing the play. Even the essential structure of the plot itself has been changed to suit movie audiences;--the pathetic attempt to tack a happy ending on a basically tragic plot detracts greatly from the dramatic force of the play...
...retain the meaning of the original. In the case of Idiot's Delight, this agitation was augmented by the fact that Metro-Goldwyn-Mayer, after almost deciding that Idiot's Delight was too dangerous to touch, finally not only made it but hired its author, Robert Sherwood, to adapt it himself, and released it just after it had stopped exporting its products to Italy...
...avoid insulting Italians as to have its military characters talk Esperanto. The picture indicts nothing except war in general, and does even this halfheartedly. This caution, however, is not due primarily to Hollywood's reluctance to offend, but merely to its intense eagerness to make profits. Author Sherwood, as familiar with the screen as he is with the stage, was well aware that no ideology this side of Heaven is nearly as important to cinema audiences as the spectacle of Clark Gable embracing Norma Shearer for the first time since they both appeared in Strange Interlude (1932). Consequently...