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Zeus's thunderbolts are designed to help the U.S. effort (Project Sherwood) to harness the vast thermonuclear energy of the hydrogen bomb in a manageable form. Most promising way to achieve fusion of hydrogen atoms is to squeeze them between enormously powerful magnetic fields, and such fields can only be created by equally powerful currents. When Zeus has passed its last tests, probably some time in June, Project Sherwood's apparatus will be waiting for its thunderbolts. The hope is that they can squeeze hydrogen hard enough to produce a flash of fusion energy...

Author: /time Magazine | Title: Science: Sudden Zeus | 3/28/1960 | See Source »

...Garry Moore Show (CBS, 10-11 p.m.). Guests will be Comic Alan King and Roberta Sherwood...

Author: /time Magazine | Title: THEATER: On Broadway, Mar. 7, 1960 | 3/7/1960 | See Source »

...cranberries needed sugar. But progress took care of that, and the cranberry has since nourished into a $45 million-a-year business, graced Thanksgiving tables in sauces and jellies, and even-when its juice is mixed with gin-in a concoction called swampfire. But mixed with Arthur S. (for Sherwood) Flemming, U.S. Secretary of Health, Education and Welfare, the cranberry last week turned out to be something more powerful: pandemonium...

Author: /time Magazine | Title: BUREAUCRACY: The Cranberry Boggle | 11/23/1959 | See Source »

...played last week to critical huzzahs on the Dutch radio. He is also rearranging pieces by Debussy, Grieg, Liszt, Rachmaninoff. And if the day should ever come when he exhausts both the old and the new repertories, he sees an almost endless future in recording. Under the name "Guy Sherwood," for instance, he appears in a radio series on which he plays numbers such as Kitten on the Keys, for which he has deftly recorded first the left-hand part, then the right-hand part (played with the left hand). When the whole thing is glued together, De Groot sounds...

Author: /time Magazine | Title: Music: With the Left Hand | 10/26/1959 | See Source »

...Theatre Guild since its founding in 1919. co-director after 1939, who gave up middling playwriting and dramatic criticism to rescue the Broadway stage from commercial mediocrity in the 1920s by tenaciously putting on demanding works by such authors as G. B. Shaw, Eugene O'Neill, Robert Sherwood and William Inge, was the first to pair Alfred Lunt and Lynn Fontanne on the stage (The Guardsman, 1924); of a heart attack"; in Norwalk, Conn. The Theatre Guild never recaptured its glories of the '205 but achieved some later notable successes. It was Theresa Helburn who sent the script...

Author: /time Magazine | Title: Milestones, Aug. 31, 1959 | 8/31/1959 | See Source »

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