Word: shieldsã
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...scholarly and close-knit environment that Harvard fosters have made Shields?? experiences especially rewarding...
...definitely consider theater to be one of the biggest things I’ve done here,” she says. Shields??s repertoire includes last year’s “The Birthday Party” and this semester’s “The Pillowman,” both of which ran in the Loeb Experimental Theater. In addition, she designed the sets for the Loeb Mainstage productions, “Into the Woods” and “Angels in America...
...while Shields??s decision to construct “Reality Hunger” in the style of the art he most values supplements the reader’s ability to grasp some of the more confusing propositions in the text, the book’s status as a “manifesto” is ultimately problematic, since it is unclear for what exactly “Reality Hunger” can be said to be a ‘manifesto.’ The term implies the creation of an innovative world view, philosophy, or theory?...
...reality”—one conveys. Shields writes, “[It’s] not the story. It’s just this breathtaking world—that’s the point.” If these are the foundations of Shields?? manifesto, has all of this not been said before? Can Shields be given credit for tracking the development of a “new” art form that, considering the work of artists as diverse as Virginia Woolf and Samuel Beckett—both of whom Shields references extensively throughout...
...Micahel T. Henderson ’11: Bikini, something President Faust would wear, Sarah Palin Alex B. Cohn ’10: 1970s Black Panter activist, miniature pig breeder, FOP Tana Jambadorj ’11: Willy Wonka, French maid, cowboy Nicholas A. Noyer ’09: Peter Shields?? extra-small t-shirt from his Harvard Carnival performance, the finale costumes from “A Chorus Line,” standard Primal Screen attire Michelle M. Parilo ’10: Mickey Mouse, Santa Clause, a Crimson...oh, wait...