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Word: shiftlessly (lookup in dictionary) (lookup stats)
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EXETER: Roberto Rossellini's latest (it's also one of his best) GENERAL DELLA ROVERE. Vittorio de Sica is a shiftless panhandler who impersonates the General for the Nazis, and is eventually metamorphosed into a man as brave and loyal as Della Rovere had been. An exciting and moving film. Evenings...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON WEEKLY CALENDAR | 4/28/1961 | See Source »

...Sundowners. When not upstaged by dingoes, wombats, endless flocks of sheep and Peter Ustinov, Stars Robert Mitchum and Deborah Kerr are appropriately knockabout as a shiftless couple beating the Australian bush...

Author: /time Magazine | Title: Time Listings: Jan. 6, 1961 | 1/6/1961 | See Source »

Stone emphasized that the reform program, sparked by Che Guevera, "a really wonderful human being," was "no more left wing than the reforms of the American Federalists." Both groups, said Stone, recognized that only the monopoly latifunda-lsts benefit from maintaining a sizeable group of "shiftless poor--that way the rich can keep them from shifting to industrial work...

Author: NO WRITER ATTRIBUTED | Title: I. F. Stone Tells Pro-Cuba Rally U.S. Must Not Block Reforms | 12/10/1960 | See Source »

...supporting cast, headed by Francois Perier as the shiftless husband and Suzy Delair as Gervaise's scheming enemy, is impeccable, and M. Clement's direction achieves its effects brilliantly. In term of motion picture artistry. Gervaise constitutes a nearly perfect effort (although the Brattle's projection technique leaves something to be desired.) Clement's slight humorous touches (which are almost forgotten in the depression of the climax) are masterstrokes: a beggar quietly switching his sign from "Aveugle" to "Sourd et Buet," the ridiculously bad singing of a guest at Gervaise's birthday party...

Author: By Peter J. Rothenberg, | Title: Gervaise | 3/23/1959 | See Source »

...Joan. Captain Boyle, the strutting Paycock, is a Homeric boozer, braggart and whine. With a sea-rolling gait and a gravelly brogue, Melvyn Douglas makes him an amiably puckish buffoon but scarcely a Dublin Falstaff. O'Casey's Juno has a spiny tongue for her shiftless husband, but she is also an Earth Mother of Sorrows. Her unmarried daughter becomes pregnant; her son loses an arm to the British and his life to the I.R.A. Shirley Booth puts a barbed disenchantment in her lines that neatly deflates humbug and windbag alike. But she carries her tragic life more...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Mar. 23, 1959 | 3/23/1959 | See Source »

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