Word: shiftlessly
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...recent Yale graduate writes an article entitled "I Was A Rich Man's Son" in which he graphically points out the difficulties college men are having in finding positions after graduation. His grim recital of unpleasant experiences may serve to jolt some complacent students out of their shiftless lethargy...
...donated 40 acres and built a log courthouse for a townsite on Wildcat Creek. The village took the name of Kokomo from an Indian who frequented the settlement. History sometimes describes Indian Kokomo as an honorable and courageous chief, sometimes as a common coon-hunting, root-digging, rum-loving, shiftless, abusive no-account...
Juan Belmonte, born in Seville, was the rickety son of an easygoing shopkeeper, whose shiftless ways landed his family in the poorhouse before his son's fame brought him better fortune. Juan was a puny child, and his legs were never any good, but when he and his cronies play-acted as matadors he was acknowledged the best. It was dangerous play: they swam the Guadalquivir at night, climbed into a bullpen and played the bulls naked, using their shirts as matadors' capes. Banderillero Calderon took Belmonte under his wing, taught him everything he knew, made him walk...
...Woods's adaptation of Edward Noyes Westcott's famed novel is therefore in the nature of a Rogers column, illustrated with lantern slides. Sample slide: Rogers smoking, for the first time, a pipe filled not with tobacco but with an asthma cure. Groom to Cupid is a shiftless, unintelligible blackamoor named Sylvester (Stepin Fetchit). He dozes helplessly through the picture, whining a language of his own. When Cupid shivers after a rubdown, Sylvester puts a blanket on Will Rogers...
...lies over Robert Redington Sharpe's single stage set of a tenant farmer's shack, front yard and well in the Georgia tobacco country. Even the smell of hot dust, of unwashed bedding and dried food leavings seems to drift out over Manhattan audiences. In this unhurried shiftless atmosphere the events of Tobacco Road stretch themselves with lazy brutality. Compressing in time rather than exaggerating in degree the sordid materialism of lazy back-countrymen, it moved Manhattan reviewers to call its characters "livestock," "pigs," "guinea pigs," "weird savages," "the primitive human animal writhing in the throes of gender...