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Word: shimizu (lookup in dictionary) (lookup stats)
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Caroline Cross (Director) has gathered the cream of local acting talent into one smooth and professional cast, put them in the three-quarter round of an extremely serviceable setting (designed by Yoshiaku Shimizu), and given them some of the world's wittiest lines to speak. Quite clearly, it was a great night for Harvard drama...

Author: By Raymond A. Sokolov jr., | Title: Twelfth Night | 5/18/1962 | See Source »

...collages, drawings, and gousches of Yoshiaki Shimizu '59 will be on display in the Paul Schuster Art Gallery, 134 Mt. Auburn St., through Wednesday, March...

Author: NO WRITER ATTRIBUTED | Title: 'Collages' on Exhibit | 3/16/1962 | See Source »

...tone is better suited to a tavern. Almost any place would have been better than Boylston Hall; my own choice would have been Cronin's. But Ted Morris, who directed the play (the program notes modestly proclaim, "The unnatural stiffness of the occasion is Ted Morris's fault"), Yoshi Shimizu, who made "all the sights for sure eyes" (i.e. the set, the costumes, and the props), and Bill Wilder, who composed "the heard melodies" transformed each of the obstacles which nature had put in their way into an advantage. The result was an effortless and delightful stylization...

Author: By Allan Katz, | Title: Le Jeu de Saint Nicolas | 3/4/1961 | See Source »

...raised, an eyebrow lifted, one caught a glimpse of the puppeteer behind the scenes. The balance between the medieval and the modern was made most strongly by Bill Wilder's ingenious score, which shifted gracefully from twelfth century ars antiqua to the twentieth century twelve tone scale. Shimizu's set was a black curtain whose space was miraculously filled with a few flowing white splotches; his props were colored cardboard; and even his costumes were abstractions of Medieval clothing. Chris Avery and Robert Hoguet used the simplest imaginable lighting patterns, and somehow it all worked. Unbridled enthusiasm, which the best...

Author: By Allan Katz, | Title: Le Jeu de Saint Nicolas | 3/4/1961 | See Source »

Most of the Corinths were done in the Europe of the early twenties. Shimizu, working in the America of the fifties, will have an even greater struggle with form because exalted amorphousness abounds in our day. The impetus, if it is to come, must come from within. Shimizu has the temperment and we shall all be fortunate if he succeeds...

Author: By Paul W. Schwartz, | Title: Yoshiaki Shimizu | 12/6/1958 | See Source »

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