Word: shined
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...Jordi Molla, making his American feature film debut). Upon Jung’s release, Diego introduces him to Pablo Escobar (Cliff Curtis). It’s not the most pleasant of first meetings—Escobar shoots someone point blank in the forehead—but Escobar takes a shine to the American and makes him his chief importer of cocaine into...
...number of sedatives to help me calm down. When I stopped smoking for a few days just to see if I could, a profound depression would overcome me. Nothing seemed worthwhile. Nothing seemed fun. Every book was torturously slow. Every song was criminally banal. The sparkle and shine had been sucked out of life so completely that my world became a fluorescent-lighted, decolorized, saltpetered version of the planet I had known before. And my own prospects? Absolutely dismal. I would sit in that one-bedroom Nishi Azabu apartment and consider the sorry career I had embarked upon, these losers...
...operates alone. Now, perhaps, Croft has too many sidekicks. The spectral presence of her father (played by Jolie's real-life dad, Jon Voight) is a cute addition, but we could probably do without the cockney comic relief called Bryce (played by Noah Taylor, the teenage David Helfgott in Shine). At any rate, Jolie feels right at home in her strange new world. "All the reasons I'm right for this movie are all the reasons I've been told I wasn't right for things," says Jolie. "I was always told I was too dark, strange looking...In this...
...operates alone. Now, perhaps, Croft has too many sidekicks. The spectral presence of her father (played by Jolie's real-life dad, Jon Voight) is a cute addition, but we could probably do without the cockney comic relief called Bryce (played by Noah Taylor, the teenage David Helfgott in "Shine"). At any rate, Jolie feels right at home in her strange new world. "All the reasons I'm right for this movie are all the reasons I've been told I wasn't right for things," says Jolie. "I was always told I was too dark, strange-looking... In this...
...drama. This quiet story, based on Elizabeth Strout's novel, might never have aired without Winfrey's name. That may be why the film ramps up the melodrama; between the moody imagery and eerie music, you'd think you were watching a '70s horror flick. But the understated leads shine. Elisabeth Shue brings out mom Isabelle's repression without turning her into a mere set of conventions; Hanna Hall plays Amy with a subtle concupiscence that recalls her previous movie, The Virgin Suicides. Amy's adapters should rent it sometime...