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...hope to challenge...," "I will sketch a model...). With such broad scope, The Economics of Justice cannot avoid a certain disjointedness, and the author's faith in the wonder of human rationality poses a familiar problem for questioning readers. Yet the incisiveness of Posner's ideas shine brilliantly through the flaws. No one has to agree with everything Posner says, or even very much of it, to realize that it is a powerful, penetrating examination of how society scales its values...

Author: By Cecil D. Quillen iii, | Title: An Ethical Theory for the Marketplace | 1/5/1982 | See Source »

...just doing my job." Joe doesn't deny the attractiveness of money. "Who wants to work for nothing?" But there are things more important than money. "I don't need to be a star, because I don't need to shine. But I do need to be a boxer, because that's what I am. It's as simple as that...

Author: /time Magazine | Title: Sport: Fight One More Round | 12/14/1981 | See Source »

...dressing-room cot after working out in the Bahamas for his own comeback this week against Trevor Berbick. (If it comes off, that is; even Ali has trouble believing it.) For the spotlight, comes the reply. He is fighting again because he needs to be a star, needs to shine...

Author: /time Magazine | Title: Sport: Fight One More Round | 12/14/1981 | See Source »

...Indochina and may even be moving toward war at home. The insanity of both is mind-boggling and no matter what Hair says specifically, at its core it is saying loud and clear: let warmth, love and peace among all men prevail. Instead of darkness, let the sun shine in." In November 1981, not a decade later, Mindich, now "publisher and president," talks about his rag. No, about his newspaper. "Many of our alumni today enjoy key positions with distinguished media outlets all across the country... We are grateful for the support we have had from our readers...

Author: By William E. Mckibben, | Title: The Phoenix: Ashes to Ashes | 11/23/1981 | See Source »

...most matter-of-fact images is of an orange tree, the fruit dully glistening with the heavy shine of late summer, some leaves almost metallic in density, others a little blurred as the wind stirs them. Into this ecstatically concrete world, a ghost intrudes: the shadow of Atget and his shrouded camera falling across a cabbage plant. Mere shades that whisper "I was here" and so wrench the image away from objectivity toward that sense of mutual dependence between viewer and view that lay at the heart of modernism...

Author: /time Magazine | Title: Photography: Images from Old France | 11/9/1981 | See Source »

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