Word: shinoda
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...Linkin Park rocks and raps about its own sense of alienation, frustration and loneliness over a furious wall of musical fuzz. But what separates Linkin Park from the rest of the rapidly expanding nu-metal field is that the band's six members--Bennington, Hahn, 24, rapper Mike Shinoda, 24, guitarist Brad Delson, 24, bassist Phoenix (just Phoenix, thanks), 24, and drummer Rob Bourdon, 23--inject nearly everything they do (save their songs) with a sweetly humanistic approach. They may scream "Shut up when I'm talking to you" like misunderstood demons, but they don't wear goth makeup...
...hard to imagine a band with less industry buzz than Linkin Park, circa 1998. "From the very first song we ever wrote," says Delson, who co-founded the group with junior high school buddy Shinoda, "the vision was, 'Let's create a hybrid of hip-hop and heavier music and electronic music and try to make it into one sound.' It was pretty crude when we started." So crude that every major label took a pass. Things only got worse when Limp Bizkit, Korn and other fusion groups hit the charts with a similar musical formula. "We thought...
...Phoenix metal scene. He had taken a job transferring property maps into computer files when a mutual friend told him Linkin Park was looking for a singer. With his wife's encouragement, Bennington drove to L.A., auditioned and never left. "Another guy was trying out the same day," says Shinoda, "and he just took off when he heard Chester try out. He was, like, 'Hey, I'm not gonna try to compete with that...
...metal fusion is still a bit of a gimmick, a crass way to cash in on two markets. While considering its own devotion to both genres beyond reproach, Linkin Park concedes that some of its fellow hybridists may not be so purely motivated. On a track called Step Up, Shinoda raps, "Rapping over rock doesn't make you a pioneer/ 'Cause rock and hip-hop collaborated for years/ But now they're getting readily mixed and matched up/ After a fast buck and all the tracks suck...
...some of these artists see life as a continuing war zone, Taro Shinoda has devised his own novel means of escape. With Personal Satellite Project, 2000, he has constructed a suite of prototype rocket launchers and satellites which he plans eventually to send into space. For this, Shinoda's inspiration is Japan's annual Bon Festival, when paper lanterns are sent down waterways in the hope of transporting the souls of the dead...