Word: shipwreckers
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...what of those British who weren't in Hamlet? Nunn corralled most of them--Ben Kingsley, Helena Bonham Carter, Nigel Hawthorne--for his Twelfth Night. A comedy of Eros about loving twins separated in a shipwreck and embroiled in a game of mistaken sexual identity, the piece now begins as an upmarket Blue Lagoon, veers into elaborate farce, then darkens till it seems a lost work of Chekhov's. It's a handsome artifact, though, on its $5 million budget, and gives star treatment to Imogen Stubbs, who is Nunn's wife. "It's a welcome break from the American...
...home. Those who have never read any translation of the Odyssey will find much that is familiar in Fagles' retelling of the hero's homeward adventures. The cannibalistic one-eyed giant Polyphemus; Circe, the temptress who turns her prospective lovers into swine; the Sirens, whose songs lure seafarers to shipwreck: we have somehow heard of all of them...
...ants provide the insects of the book's title, while "The Conjugial Angel," the second and weaker novella, is organized around seances, and of course provides the title's angels. Both stories are set against the backdrop of Victorian England's exploration of the natural and supernatural world; shipwreck and return play important roles in both stories; and both shift between two lines of narration: in "Morpho Eugenia" it is between the ants and the humans, in "The Conjugial Angel" it is between the "real" characters and the fictional...
This exhibit contains other surprises. One finds numerous examples of Adams representing "low" subjects. A series of shipwreck scenes and prints of anchors indicate that these forms received as much attention as the exalted landscapes at this point in Adams's career...
...production is as deplorable as it is inexplicable. Then again, it is not all that inexplicable--under MOLLY bishop's direction the text is as the stage is poorly lit. Shakespeare's fanciful tale of The Temest Directed by Molly Bishop At the Loeb Mainstage Through November 17 a shipwreck on a magical islands undergoes needless and destructive editing that butches the plot. And Matthew Buchman's set is as monochromatic as the performance itself, leaving the considerable the play's theatrical potential untapped...