Word: shipwreckers
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It’s a good thing too, since the story tells the highly improbable tale of twins Viola and Sebastian who both survive a shipwreck that lands them in mythical Illyria. Both assume, on the accounts of their rescuers, that the other has perished in the accident. Viola is introduced to the audience first and inexplicably decides to dress as a man and become the Duke’s employee...
TWELFTH NIGHT. The Quincy House Drama Society presents Shakespeare’s most gender-bending farce this weekend. In this tale of drowning and deception, two twins, Viola and Sebastian, take center stage after a shipwreck leaves them separated from each other on a foreign island. The only work of Shakespeare with an alternate title—Or What You Will—the romance abounds with questions of identity and self-determination. Feste the Clown, among other characters, provide wonderful comic relief in a play that is predominantly concerned with philosophical questions. Through Saturday, April...
...until the legal problems could be sorted out. The changes should do away with the anomaly of a leader who "clearly holds power" but no accountability, says analyst Ismet Berkan in Istanbul. "It will be a huge step to normalizing the political setup." - By Andrew Purvis THE CHANNEL Shipwreck Ahoy! Landlubbers and sea dogs alike could only shake their heads at the New Year's Day news that the tanker Vicky had collided with the submerged wreck of the car transporter Tricolor in the English Channel. A spokesman for the British maritime union NUMAST said the accident "beggared belief...
...most of the night on that Utopian coast. On weekdays, one or two of the plays were performed, but each Saturday the National put on a grand Stoppardian bouffe. The first of the trilogy, "Voyage," began at 11 and ended at 2:15; the second part, "Shipwreck," commenced at 3:15 and went till 6:30; and the finale, "Salvage," started at 7:30 and let out around 10:45. As a theater-binger from way back (the Royal Shakespeare Company's "Nicholas Nickleby," Bill Bryden's production of "The Miracles" for the National), I welcomed the chance for total...
...helpless smile he put to such attentive use in the recent revival of "The Real Thing") loves the play of ideas, loves the possibility for constructive social change, loves his wife and children more. The discovery of an infidelity wounds him like the news of a Tsarist outrage; the shipwreck of his deaf child collapses upon him like the failed revolutions...