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...songs played at Boston Common on August 9 have in common a pervasive country flavor, the flavor that Furay sought in leaving the Springfield for Poco. The sets that used to begin with the irrepressible rock 'n' roll feeling of "C'mon," start with the shit-kicking, finger licking goodness of "Hoe- Down," in acknowledgement of Poco's antecedents, "Well, I'm goin' to a hoe-down--And kick up my heels--Go all night and never slow down--Yes, I love how it feels." Three more songs were played in rapid succession: "It's a Good Mornin'," "Railroad Days...

Author: By Frederick Boyd, | Title: Child's Claim to Fame | 8/15/1972 | See Source »

...director Sam Peckinpah and writer Jeb Rosebrook want us to learn more about Junior Bonner and through him. Bonner is the not inglorious hero of his film, both his attitude towards the world and his personal morality make him so. Bonner knows that most of Prescott is for shit, pure and simple; that most of the people never appreciated that Arizona morning, and hustle like carney hucksters to package the West which gives them their identity and heritage and sell it for a price--if it makes surviving easier. Junior can't settle for that mediocrity, can't stand...

Author: By Michael Sragow, | Title: Lonesome Cowboy, Wandering Son | 8/11/1972 | See Source »

...That would be Thursday. I had left a call for 6:15. I wanted to swim. At 6:15 one of my guys comes in and says, "Well, you won't believe this, but Jack Anderson says, eleven times arrested, six times for drunken driving." I said, "Bull shit, it's a goddam...

Author: /time Magazine | Title: The Nation: Eagleton's Own Odyssey | 8/7/1972 | See Source »

...Garden has begun to settle into a pre-show mood. We learn that the crew is staying in the Madison. "Yeah, we had a lousy hotel in Montreal too," and that the way to get back at these hotels is to cut a slit in the mattress, take a shit into the slit, and leave. One of the crew had only been home two weeks in a year of touring--he was talking about "backpacking in Nova Scotia," after this tour was over...

Author: By Frederick Boyd, | Title: 'You Guys Aren't Exactly Muscle Beach' | 7/28/1972 | See Source »

...songs are better known... maybe it's because they're better. I don't know. They hold up remarkably well. We've been singing them six hours a night, and they're still good. So many things are perfect now that took hours. And now we suffer from diddly-shit things like a fuse overloading. It's frustrating, like a yellow light on a blue diamond. We've got to get it perfect. I love the show now more than when I started it--and I loved it when I started...

Author: By Alan Heppel, | Title: Directing Brel: Monomania & Other Virtues | 5/8/1972 | See Source »

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