Word: shock
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Dates: during 1990-1999
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Perhaps it's the soft, unexpected shock of every sequential tragedy presented in Imani; perhaps it's the rather unprecedented portrayal of innocent joy in teenage motherhood; or perhaps it is just the accepting, enduring clarity and strength of the main character, and the renewal of faith in the human spirit-whatever the case, Porter has uplifted a typically unheralded heroine and established herself as capable of writing with power and grace in a context unbraved by many other authors...
...Murray painfully illustrates, this feat of daring and desperation did not have the effect Annie desired. Immediately after experiencing the shock and joy of her self-described immaculate rebirth within the Falls, Annie climbs out of the water and is greeted only by cold disbelief and disgust. Instead of a symbol of beauty and hope, the crowd gathered to see her feat finds instead "a woman, short and plain and only slightly bruised,/ moving dizzily among them/ like a fly hatched by mistake in the winter sun." To the crowd gathered and to history itself, Annie was an ugly...
...portraits, the first images one encounters in the Busch-Reisinger Museum's exhibit of his photographs, prevent an immediate response. The portraits, cropped like busts from the neck up, span the varieties of human response, from the mirthful to the apathetic to the terrifying but never the genuine. This shock at lack of sentimentality is re-experienced in the 57 photographs displayed. In his most successful prints, he subverts the circumstantial reality of his subject and creates a new context without annihilating its essence...
...portraits, the first images one encounters in the Busch-Reisinger Museum's exhibit of his photographs, prevent an immediate response. The portraits, cropped like busts from the neck up, span the varieties of human response, from the mirthful to the apathetic to the terrifying but never the genuine. This shock at lack of sentimentality is re-experienced in the 57 photographs displayed. In his most successful prints, he subverts the circumstantial reality of his subject and creates a new context without annihilating its essence...
...portraits, the first images one encounters in the Busch-Reisinger Museum's exhibit of his photographs, prevent an immediate response. The portraits, cropped like busts from the neck up, span the varieties of human response, from the mirthful to the apathetic to the terrifying but never the genuine. This shock at lack of sentimentality is re-experienced in the 57 photographs displayed. In his most successful prints, he subverts the circumstantial reality of his subject and creates a new context without annihilating its essence...