Word: shock
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Dates: during 2000-2009
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...being a football player.13.FM: Have you taken Dinosaurs?CD: I did take Dinosaurs. And that was kinda cool.14.FM: What does it feel like to see a gigantic photo of yourself every time you enter the gym?CD: The first time I saw it, it was a bit of a shock. They didn’t tell me about it. And its kind of fun to walk by past it and think you are on the wall of a building. That’s probably something that will never happen again. Very few people can say that.15.FM: Do people...
There is nothing scary or suspenseful about the newest wave of horror films. Torture and barbarity are merely cheap shock. If you want a truly scary film, check out Roman Polanski's Repulsion or Rosemary's Baby. Polanski knows it's not gore that scares an audience but a steadily growing sense of overwhelming apprehension and dread...
...With somebody like him, you cannot go in with doubts because it would be the most stupid behavior. I wish I would have that feeling every movie I do, but it's not that way." Cruz's trust seems daughterly, but, insists the director, who is 57, with a shock of gray hair, "I don't like when she looks at me like a paternal figure. I behave with her like if I were Orlando Bloom, a young, attractive man actor that can also flirt with her." At the mention of Bloom, whom she's rumored to be dating...
...hits spawned satellites: suddenly Italian films were hot. In the years after La Dolce Vita, dozens of pasta pictures played the big cities; foreign-film fans sought them out because of the director, the stars, the country. Another Italian film of less reputable pedigree turned into a hit: the shock-documentary Mondo Cane, on which we can blame not just a raft of cheap-n-sleazy Mondo movies but the wedding-reception standard "More," which had been Mondo Cane's theme song...
...They are aiming at the transgressive, something that will shock people down to their boots. But in so doing, they travesty Arbus. Her photographic manner was quite objective. Mostly she just had her subjects stand before her and stare, more or less expressionlessly, into her camera. Her pictures often seemed like snapshots raised to flashpoint and their intention seemed to me to reinsert the freakish back into the quotidian, to make us see the human normality lurking beneath the outer forms nature cruelly imposed upon her subjects. To put it simply, underneath her apparent artlessness there was great artfulness...