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Word: shockers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

George Burns' On the First Day of Christmas is a Gothic shocker in modern dress, complete with Freudian visions and dexadrine. Suicide and castration are legitimate, if sensational, topics, but in this case their function is more emetic than literary...

Author: By Raymond A. Sokolov jr., | Title: The Advocate | 4/25/1962 | See Source »

...Anatomy of a Murder. For Alfred Hitchcock's Vertigo, he let his spook imagination run on even further. He began with a vulture-close view of a human eye, then moved in side the eye. where spinning, vertiginously kaleidoscopic patterns appeared and changed form, starting Hitchcock's shocker with a Rorschacher. The names went by - James Stewart, Kim Novak - under abstract suggestions of nuzzling dolphins, pregnant terns and wooing rattlesnakes...

Author: /time Magazine | Title: Movies: Man with a Golden Arm | 3/16/1962 | See Source »

...KITCHEN. Something not often done and less often done well: a socialistic shocker. Working from a pink-hot play by Britain's Arnold Wesker. Director James Hill gives the capitalist system a thorough roasting in 74 minutes...

Author: /time Magazine | Title: Cinema: THE BEST PICTURES OF 1961 | 12/29/1961 | See Source »

Herman Kahn's ponderous shocker, On Thermonuclear War, frequently mentions a weapon whose purpose is to end all human life: the Doomsday Machine. Kahn discusses its political uses as calmly as if it were a bug killer, but he gives few technical details. In the latest Bulletin of the Atomic Scientists, Physicist W. H. Clark spells out some little-known facts about Doomsday Machines-and some of the more refined horrors that nuclear war could bring. Both the U.S. and Russia already can build near-Doomsday bombs, but far more disturbing is the fact that they are sufficiently inexpensive...

Author: /time Magazine | Title: Science: fy for Doomsday | 11/24/1961 | See Source »

...Kitchen. British Playwright Arnold Wesker's socialist shocker clatters, boils and roars its way through a day in the help's half of a big London restaurant. As dialectic it may be flimsy, but as theater it is a feast...

Author: /time Magazine | Title: Cinema: Nov. 17, 1961 | 11/17/1961 | See Source »

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