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...conference chair he squirms, gestures, listens closely (he is slightly deaf), continuously shifts his small, well-shod feet, which usually end up perched on the table. The afternoon clicks by with the same production-line regularity. By 5:30 p.m., he is ready to leave for home with a bulging brief case under his arm. Usually, after dinner with his wife, he works for a few hours. He is in bed by 10 p.m. Two weeks of each month he usually spends in Detroit, hardly stirring out of the grey walls of G.M.'s building there. (He even sleeps...

Author: /time Magazine | Title: AUTOS: The First Target | 9/24/1945 | See Source »

Soon tanks rolled up the beaches, supplies piled up. Barges were coming in to Japanese jetties now, landing the troops dry-shod. The enemy backed up before a smartly executed amphibious assault...

Author: /time Magazine | Title: BATTLE OF THE PACIFIC: From Rendova to Biak | 6/5/1944 | See Source »

...stone's throw from the bandbox grandstand, fires burned and horses were shod in emergency blacksmith shops (it takes from two to three hours to shoe a harness horse: each shoe is put on at a different angle). Harness makers, like ambulant country storekeepers, set up business outside their trailers. Bearded drivers displaced Empire's familiar, flashy midget jockeys in white duck...

Author: /time Magazine | Title: Sport: Victory in Harness | 8/23/1943 | See Source »

Quartet recording in past years has often been a slip-shod business. Victor especially seems contented just to get the sound down on wax and let it go at that. Not so, however, with Columbia's Budapest Quartet series. Here are four players, each a first rate soloist in his own right, welded together into the kind of unit you find in a good crew or ball team. Other quartets have the same precision, and occasionally the same warmth of tone, but the Budapest people have that extra something that brings the music to life and gives it symphonic dimensions...

Author: By Robert W. Flint, | Title: THE MUSIC BOX | 10/20/1942 | See Source »

...pieces of work, relaying on restraint and carefully prepared surprise for their effects. Thomas accomplishes the feat of writing a fantasy in a realistic style. A too conscious attempt at atmosphere occasionally swamps Albert Friedman's "Carnival," while David Hessey's "Launching" sacrifices a powerful theme to occasionally slip-shod treatment. Cecil Schneer makes a heroic attempt to get inside a converted isolationist by reducing him through pain to his Freudian common denominator...

Author: By R. S. F., | Title: ON THE SHELF | 10/5/1942 | See Source »

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