Word: shohei
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Dates: during 1980-1989
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This fall the moviegoer has a choice of two Black Rains set in Japan, but they're not hard to tell apart. One is Shohei Imamura's stark meditation on Hiroshima 1945. The other is a cop movie backed by some heavy Hollywood artillery: the producers of Fatal Attraction. Michael Douglas and Andy Garcia are two New York City detectives on the trail of a cool, vicious Japanese gangster (Yusaku Matsuda). Their contact in the Osaka constabulary is a by- the-book gent (Ken Takakura) affronted by Douglas' bullying. You've seen this picture before; last year it was called...
...Shohei Imamura, director of "The Ballad of Narayama" and other award-winning films, arrived at Harvard on Tuesday for a 15-day visit under the auspices of the film institute, in cooperation with the Japan Foundation of New York and Harvard's Reischauer Institute of Japanese studies...
...Shohei Imamura's The Ballad of Narayama and Nagisa Oshima's Merry Christmas Mr. Lawrence are both expected to earn their distributors about $4 million. So is The Makioka Sisters, directed by Kon Ichikawa from Junichiro Tanizaki's novel about an upper-class family just before World War II. Masaki Kobayashi's Tokyo Saiban, a grueling, 41/2-hour documentary of the Tokyo war-crimes trials, is a surprise success that should earn rental fees of $ 1.6 million...
Things may be changing. The Japanese cinema has not been so lucky as Chrysler in 1983, but there are small stirrings of renaissance. In May, for only the second time since 1954, the top prize at the Cannes Film Festival went to a Japanese film: Shohei Imamura's The Ballad of Narayama, an elemental and unsentimentahzed portrait of Japan's mountain people in the 1880s. The same festival also showcased Nagisa Oshima's Merry Christmas Mr. Lawrence, a P.O.W. melodrama set in Java in 1942 starring David Bowie and two popular Japanese performers, Singer-Songwriter Ryuichi Sakamoto...
Other writers, discontent with the standard forms of literary expression have begun to create a new genre, blurring the already eroded line between fiction and nonfiction. Shohei Ooka's The Long Slope recalls the Imperial Army's crimes of World War II through courtroom records of the Far Eastern Military Tribunal; Otohiko Kaga's Ship Without an Anchor is the story of a Japanese ambassador who was sent to America to forestall...