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...missing a step, the intrepid photographer staked out the men's room until Ryan exited, at which point he snapped the shutter and made a new, invaluable addition to the Crimson's photo files. The picture is shone above...

Author: NO WRITER ATTRIBUTED | Title: Reporter's Notebook | 2/12/1993 | See Source »

Bush wandered around the South Lawn, looking, absorbing the beauty and the meaning. The Washington Monument shone with the eager sunlight. Farther on, the Jefferson Memorial glowed warmly...

Author: /time Magazine | Title: The Presidency: Bush's Flight Into the Sunset | 2/1/1993 | See Source »

Some artists drop through the cracks, and for a long time, it looked as though Walter Richard Sickert (1860-1942) was one of them. His retrospective at London's Royal Academy of Arts, curated by Wendy Baron and Richard Shone (until mid-February, then at the Van Gogh Museum in Amsterdam), is the first deep look at Sickert the British have had in almost 30 years. In America, he is virtually unknown. No museum has ever acknowledged him, and if you dip for his work into the big public collections, let alone the private ones, you will come up empty...

Author: /time Magazine | Title: Art: Music Halls, Murder and Tabloid Pix | 1/25/1993 | See Source »

...Shone writes in the catalog, Sickert's career ran parallel to all the great Modernist movements from the 1880s to the 1930s but belonged to none of them. He was "a passionately self-isolating figure . . . highly individual, combining expected elements of the European mainstream with personal tastes that can appear willful or mandatory." He was also a witty and truthful art critic, whose essays and journalism, collected in 1947 by Osbert Sitwell under the title A Free House!, are never dull and often possess a Shavian energy. Courageous to the point of eccentricity, Sickert always followed his own nose...

Author: /time Magazine | Title: Art: Music Halls, Murder and Tabloid Pix | 1/25/1993 | See Source »

...early 1930s, when communism still shone with the promise of a bright future, Margaret Bourke-White went to the Soviet Union to capture the seismic changes of a society bent on forging itself anew. The country was a mystery then, and her photographs and journal entries, excerpted here, laid bare the dedication and raw muscle fueling a blast furnace of a nation as it struggled out of feudalism. Sixty years later, TIME invited Anthony Suau to retrace Bourke-White's journey. If her pictures were the positive, his are the negative. The Russia that emerges from Suau's frames...

Author: /time Magazine | Title: Death of the Dream | 12/7/1992 | See Source »

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