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...inmates. Both works could serve social--even political--ends, but Simon insists she should not be mistaken for a photojournalist, and her old-style technique indeed argues that she is not. She works with a large-format camera and will wait all day for the perfect shot rather than shoot multiple rolls and edit her film later. The process earns her trust and access. "I can't be sneaky," she says. The result of that openness is frank pictures, straightforwardly taken--and as a consequence, startlingly revealing...

Author: /time Magazine | Title: Lens Crafters | 5/29/2008 | See Source »

...former painter, Lux, 38, brings her images to life with the attention to form, shape and color that she learned at the easel. The artistry begins at the photo shoot, but her signature style--the brushstrokes of her new medium--comes later, at the computer. First she strips out the background and replaces it with a quiet setting--a grassy field, an abandoned building--from her personal stash of paintings and pictures. Then she erases any object that crowds the picture, like a tree or toy, so the child appears to be part of a dream. "I don't care...

Author: /time Magazine | Title: Loretta Lux | 5/29/2008 | See Source »

...Except it wasn't. McCain had been leaning on current and former lobbyists for months in part because he's never had a grassroots fund-raising operation akin to Obama's. As a result, he had to shoot down questions about all the special pleaders working for his campaign. "These people have honorable records," he said in February. "And they're honorable people." But his new policy, which was stricter than what some senior advisers favored, undid all that straight talk and prompted a weeklong purge inside the campaign. A number of lobbyists were tossed over the side overnight, generating...

Author: /time Magazine | Title: Team McCain: Ready for Prime Time? | 5/29/2008 | See Source »

...Those were the poles of his sensibility. He was capable of making something as funny as the great cross-dressing farce, Tootsie, or as dark as his take on depression-era America, They Shoot Horses Don't They? But his filmography is marked most indelibly by the lush romanticism of Out of Africa (for which he won the Oscar) on the one hand, and by taut thrillers like Three Days of the Condor and The Firm on the other. It can be argued that the contradiction between those two modes is more apparent than real. High romance disorders the spirits...

Author: /time Magazine | Title: Director Sydney Pollack Dies | 5/26/2008 | See Source »

...troops--or worse, foreign relief workers--would be viewed as hostile forces even if the U.S. and its allies made clear that their actions were strictly for humanitarian purposes. To save the Burmese people without their rulers' consent, in other words, we may not have much choice but to shoot...

Author: /time Magazine | Title: An Offer Burma Can't Refuse | 5/15/2008 | See Source »

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