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Word: shooting (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...federal official, is the human response of a cop confronted by someone who has publicly vowed to kill him. "That's no plot," the official says. "It's a perfectly natural reaction by a policeman facing someone who has said, even boasted, that he is prepared to shoot it out." That, added to the perennial edginess of a white policeman in the ghetto and the longstanding and usually merited hostility of blacks to the police, makes cops confronting Panthers very jumpy men who take no chances...

Author: /time Magazine | Title: Nation: Police And Panthers: Growing Paranoia | 12/19/1969 | See Source »

...They Shoot Horses, Don't They? is a strenuous attempt to make that marathon a metaphor for man's fate. The contestants are the populace of a wasted nation. One girl, Ruby (Bonnie Bedelia), is pregnant. Gloria (Jane Fonda) is a brassbound bitch from the Dust Bowl. Robert (Michael Sarrazin) is an open-faced kid from a farm. Sailor (Red Buttons) is a Navy veteran whose ship has gone out. The man running the marathon-and carrying the movie-is a dime-store Barnum named Rocky (Gig Young). The son of an itinerant faith healer, Rocky has read...

Author: /time Magazine | Title: Cinema: Marathon '32 | 12/19/1969 | See Source »

...boardwalk and out of the marathon, she aims a pistol at her temple. Then, for the first time, her temerity falters. "Help me," she begs Robert, and Robert obligingly turns the attempted suicide into a murder. The farm boy's explanation to the police: "They shoot horses, don't they?" Yes, they do-but only when the animal is broken. As Fonda plays the part, Gloria is a born survivor, a cork of a woman who would bob to the surface of a sewer or an ocean...

Author: /time Magazine | Title: Cinema: Marathon '32 | 12/19/1969 | See Source »

Still, as a footnote to American history, They Shoot Horses, Don't They? is invaluable. The entire cast-particularly Young and Fonda-understands the era when existence seemed one long bread line. The penciled eyebrows, marcelled coiffures and bright, hopeful faces change by degrees into ghastly masks; the bodies seem to pull against a gravity that wants them six feet underground. The music goes round and round, and so do the actors, in a coruscating dance of death. It is a pity that the picture is not left to them. The film makers should have known better than...

Author: /time Magazine | Title: Cinema: Marathon '32 | 12/19/1969 | See Source »

...GANG THAT COULDN'T SHOOT STRAIGHT by Jimmy Breslin. 249 pages. Viking...

Author: /time Magazine | Title: Books: What Makes Sammy Runyon? | 12/19/1969 | See Source »

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