Word: shooting
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...recollections into cinematic form. Except for the opening and closing shots of a field of sunflowers, the entire film takes place in an Israeli tank holding four very nervous soldiers. The only view to the streets outside is through the gunsight aimed at insurgents and civilians. Which ones to shoot at? Which ones to save? Working as both a horrors-of-war screed and a depiction of men under impossible stress, Lebanon is an unrelentingly claustrophobic nightmare. (Read: "Lebanon's Bernie Madoff: A Scandal Taints Hizballah...
...nastier crime. There’s something revolting and enchanting about Atwood’s creations—a fast food chain called “SecretBurgers: Because Everyone Loves A Secret” or “Painball,” a security facility in which convicts shoot at each other with corrosive paint—perhaps because they are so playful. But Atwood never loses her edge. When the titular flood wipes away humanity, it comes not in sheets of rain but as a plague contained in the inoffensively named pill BlyssPluss. The Flood is at the heart...
...anywhere? After all, the only effective national defense that took place on 9/11 was bottom-up rather than top-down: the passengers who took back United Flight 93. The fighter jets could not scramble fast enough, and we may not have wanted them to: Who decides to shoot down a passenger plane, and what criteria does he or she use? We must stop assuming that we face a choice between heroic governmental protection from terrorism and no protection at all. At least with regard to airborne terror (remember also the “shoe bomber,” foiled...
...York City, where 24 subway lines create a complex web across the boroughs, riders can hop aboard the F train at 4:10 a.m.—every weekday. Anyone stuck on Canal Street at sunrise could likewise catch the Q and subterraneously shoot across the city toward bed. But find yourself at Park St. in downtown Boston on a Sunday morning post-12:47 a.m., and there’s no boarding the Red Line back to Harvard Square. Unless you want to wait until...
...memory of that conflict. Except for the opening and closing shots of a field of sunflowers, the entire film takes place in an Israeli tank holding four very nervous soldiers. The only view to the streets outside is through the gunsight aimed at insurgents and civilians. Which ones to shoot at? Which ones to save? Imprisoning the audience with the soldiers may be a gimmick, but it's an inspired one: the viewer wants both to stay inside - shielding them from harm, or from doing harm - and to get the hell out. The situation may be familiar from dozens...