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...lens lets you capture clearly the writing on the spine of a paperback 9 m away. Too much zoom can sometimes result in shaky pictures. To counteract that, Panasonic integrated an optical image stabilizer, technology commonly found only in camcorders. Stabilizer or no, it's still a challenge to shoot at great distances. That's why, for anyone interested in the FZ10, the best accessory would be a tripod...

Author: /time Magazine | Title: Tech Watch | 3/1/2004 | See Source »

...It’s a crap shoot,” he said. “There’s an amazing list of friends and colleagues who are all interested in making contributions to the organization...

Author: By Andrew C. Esensten, CRIMSON STAFF WRITER | Title: Harvard Law Review Names New President | 3/1/2004 | See Source »

...went 11-12 from the field, showcasing her ability to use both hands and dominate inside. All of Robertson’s points came from inside the paint except for one three pointer, the only trey the Bears made for the entire game. Brown had no reason to shoot from outside the arc, taking only three trey attempts compared to Harvard?...

Author: By Luke E. Cocalis, CONTRIBUTING WRITER | Title: W. Hoops Exacts Revenge on Yale, Falls to Brown | 3/1/2004 | See Source »

...makeover into the less-than-comely prostitute murderess as it did for the actual performance. Nevertheless, the Academy will likely see beyond the cosmetic alterations to reward Theron’s breakthrough work, which painstakingly recreates the intense discomfort of a woman desperate to find a reason not to shoot herself at any given moment. At the film’s core is Wuornos’ tumultuous relationship with flippant lover Selby Wall (Christina Ricci). Though Jenkins fails to offer a believable relationship between these two individuals and Ricci sits through an unnaturally amateurish performance, Monster is ultimately redeemed...

Author: NO WRITER ATTRIBUTED | Title: Happening | 2/27/2004 | See Source »

...makeover into the less-than-comely prostitute murderess as it did for the actual performance. Nevertheless, the Academy will likely see beyond the cosmetic alterations to reward Theron’s breakthrough work, which painstakingly recreates the intense discomfort of a woman desperate to find a reason not to shoot herself at any given moment. At the film’s core is Wuornos’ tumultuous relationship with flippant lover Selby Wall (Christina Ricci). Though Jenkins fails to offer a believable relationship between these two individuals and Ricci sits through an unnaturally amateurish performance, Monster is ultimately redeemed...

Author: NO WRITER ATTRIBUTED | Title: Happening | 2/26/2004 | See Source »

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