Word: shootings
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Dates: during 2000-2009
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...director. The great thing about working with Steven is that we don?t have agendas. We want to make the best movie possible, I want him to be happy. If he he wants to shoot it on film and cut it on a Movieola... Hey, he?s got a great editor. Michael Kahn can cut faster on a Movieola than anybody can cut on an Avid. And I don?t really care. But I do tell him, 'This is your chance to play with this and experiment with it and blame it all on me'-say, ?He made...
...Right now we?re working on a Pre-Vis system, which is pre-visualization in movies. It?s very quick, almost like a video game: you can make movies very quickly and shoot them and them put them together. It?s just basically a moving storyboard, so it?s very easy for you to figure out how your movie is going to get made, and what it?s going to look like when it gets done. And it doesn?t cost hardly anything. Any big movie all has pre-vis, which are computerized versions of the movie...
...going to look at my movie and say, ?We want it done this way.?" But if you ignore the essential problem of the corporate overlords, it?s actually a great way to make movies, because you can really see what your movie is, structurally, before you go out and shoot it. It?s a great thing for anybody that?s doing any kind of large movie. Because you have to do it anyway. I come out of documentary filmmaking, so I?m used to getting a lot of material and putting it together that way. Steven is just the opposite...
...Currie tells how, after The Tracker was shot, Procacci stayed on in Adelaide for Christmas, when he asked De Heer if he had any more scripts to shoot: "And Rolf said, 'No, but I can get you one in a week.' So he sent it to him, Domenico read it on the plane back to Italy, finished it by Singapore, and rang him up and said, 'We'll finance this, yes, no problem.' " That film was Alexandra's Project (2003), and it's hard to think of a more confronting Australian film. About a disgruntled wife who gets revenge...
...with Ten Canoes ("I love it dearly - I look at it and think, This is a small miracle"), De Heer is just as proud of the effect the film will have on the lives of the Yolngu. "One of the great things at the end of the shoot was that Minygululu had picked out the tree that he was going to make his canoe from the next year," says the director, "and he'd picked out the route of his journey." For audiences too, Ten Canoes will map out new realms of understanding...